5.9.12 Special 4 STAR EDITION!!!!

Does this look like ZIAT???? Fuck yeah! Note: ZIAT = Zeus in a Thong = Rock God = #@*!(#*_@!!!! The best gift RS ever gave fans is ZIAT!









Adam Lambert ‏ @adamlambert
Now that #Trespassing is streaming in full on adamofficial.com - lets do a twitter party about the MUSIC!!!

Complete transcript by Wal here: www.adamtopia.com/index.cgi?action=display&board=newsarchives&thread=377&page=38#228741

DO NOT PASS UP THE LINK ABOVE – GREAT TWEET Q’s and EVEN BETTER TWEET A’s.

And thanks to ZoniDuck who asked the question I would have asked if I hadn’t missed the whole thing!!

@adamlambert Of the songs that made the album, which was recorded last?

@zoniduck never close our eyes, pop that lock were both toward the end.



Belgium Listening Party!!

twitter.com/#!/jona5555

jonina sig ‏ @jona5555
Trespassing Listening Party Pics by @adamlambertbe Belgium 5-8-12

www.facebook.com/photo.php?fbid=10150810531749091&set=a.10150810529559091.412719.252558399090&type=3&theater




Belgian Glamberts ‏ @adamlambertbe
Booklet again. #GlambertEvent pic.twitter.com/XeeVpWgK



Belgian Glamberts ‏ @adamlambertbe
#GlambertEvent pic.twitter.com/KDgNqc7P



Belgian Glamberts ‏ @adamlambertbe
Pop That Lock Booklet art. #GlambertEvent pic.twitter.com/zR8JBR6c










Adam Lambert’s ‘Trespassing’: It’s That Deep
By Lyndsey Parker | Reality Rocks – 5.8.12

I admit that I've developed a bit of reputation as a Glambert, which means probably anything Adam Lambert-related with my byline slapped across it is taken with a grain of salt as chunky as one of Adam's old rhinestone bindis. "Of course she digs Adam Lambert's new album," some skeptics must think. "Lyndsey Parker saying she loves Trespassing is like Oscar The Grouch saying he is a fan of trash, or like Winnie The Pooh giving a jar of honey a five-star review." But seriously, people--listen to me when I say that Trespassing is one of the best pop albums you will hear in 2012.

Or, if you don't believe me, then just listen to the album yourself. I'll wait...

[embedded video]

See? I was RIGHT!

On Trespassing, Adam has undoubtedly found his true (multi-octave) voice, gleefully and recklessly abandoning the throwback "rock god" posturing that typified many of his "Idol" performances and several of his first album's guitar-driven, Matt Bellamy- and Justin Hawkins-penned tracks. This, surprisingly, is not a bad thing, despite what a convincingly worship-worthy rock god Adam can certainly be when the mood strikes him. (Rock fans, fear not: The album's three bonus tracks, "Take Back," "Nirvana," and "Runnin'," hit the old techno-rock sweet spot, with the latter almost sounding like an '80s action-movie anthem that'd play in the background while Rocky trains for his Cold War boxing battle with Dolph Lundgren. If that make any sense...)

Anyway, this doesn't mean the album doesn't rock in its own wonderfully Daft Punky way. Trespassing is a full realization of the new Lambert signature sound: a rare strain of electropop that manages to be both mindlessly hedonistic and sublimely sophisticated at the same time. This is hypermodern-but-retro, glossy-but-not-too-glossy superpop, and it is a sound that really fits Adam like a custom-made Skingraft leather jacket. (He co-wrote 12 of the disc's 15 tracks.) If this album doesn't earn Adam some genuine critical raves, then I am sorry, but too many biased critics are rolling their eyes at the "'American Idol' runner-up" listing on his résumé, and not actually listening to his damn album.

Trespassing IS that deep, to loosely borrow a familiar Adam catchphrase: It's a split-personality'd record, almost a concept album, exploring the two sides of one of current pop culture's most polarizing and fascinating figures. It's all very side A/side B (how fitting, then, that Trespassing is coming out on vinyl), with the first half frontloaded with funky-fresh partystarters and "side B" comprising a comedown soundtrack for the bleary morning after. I admit I'm partial to "side A"--after all, I can't resist a Hi-NRG rollerdisco jam, and literally the first SEVEN remix-ready Trespassing tracks have me digging in my childhood closet for my old quad skates, the ones with the rainbow-print shoelaces and glitter custom pom-poms and Pegasus wings velcro'd to the sides. (Seriously, Adam needs to host his official record release party HERE.) But both halves of Trespassing still come together as a whole, somehow more cohesively than Adam's genre-hopping first effort, For Your Entertainment, ever did.

"Side A" of Trespassing kicks off with a true statement of intent, the Pharrell Williams-co-penned title track, in which Adam boldly announces, "Wait till ya get a load of me." (He ain't kiddin'.) Adam's recent reunion with his old "Idol" duet partners Queen is an obvious touchstone here, with "Trespassing's" bowel-rumbling disco bassline, canned handclaps, and gang-chanty intro bringing to mind Queen's "Another One Bites The Dust" and "We Will Rock You"--but other supercool drill-team staples come to mind, like Toni Basil's "Mickey," Frankie Smith's "Double Dutch Bus," Janet Jackson's "Rhythm Nation," and even the Go! Team, the Ting Tings, and Sleigh Bells. And there's a heavy-breathing breakdown in the middle that features some of the sexiest panting since Donna Summer's "Love To Love You Baby," or at least since Madonna's "Burning Up," Kinky's "Más," or the Faint's "Posed To Death." And that's just THE FIRST TRACK.

From that point on, it's a Mr. Lambert's Wild Ride through klubland. The Bonnie McKee co-write "Cuckoo" is the sound of Kylie Minogue, Sylvester, and La Roux chugging a case of Red Bull and getting in a time machine, setting the dial to 1992, and heading to a rave. "Shady" is the song that the Scissor Sisters wish they'd written (Sam "Black & Gold" Sparro actually holds the co-writing honors here), a dynamite disco floorfiller featuring wocka-wocka '70s-porn-soundtrack guitar from none other than Chic's Nile Rodgers (who's worked with the fabulously glam likes of David Bowie, Madonna, Duran Duran, and Grace Jones). The house-music epic "Never Close Our Eyes" (co-written by another Midas-Touched hitmaker, Bruno Mars) probably has David Guetta cancelling all future recording sessions with the proposed guest allstars for his next album, and deciding to hire Adam to sing on every track instead.

And it gets better (no pun intended). There's "Kickin' In," my favorite Trespassing cut as of this writing (my favorite does change hour to hour, listen to listen), a Michael Jackson-esque thriller that couldn't utilize the cowbell any better if Christopher Walken himself were involved. "Naked Love" is basically the sound of pure joy, a put-your-hands-in-the-air Love Parade anthem (courtesy of Benny Blanco) that reminds me a bit of You Can Dance-era Madonna and makes me forget all my troubles for precisely three minutes and 23 seconds. And "Pop That Lock" is just such a jammmm, I keep imagining "America's Best Dance Crew" routines, particularly ones by Fanny Pak, being choreographed to mastermixes of it.

"Side B" is admittedly a quieter and less immediate affair, almost sounding like a separate companion EP and certainly not promising the sexyfuntimes of the album's first half. But these sultry, blue-eyelinered-soul tracks provide the superior showcase for what made Adam Lambert a superstar in the first place: that voice. Interestingly, it's the ballad here that was the album's first single, "Better Than I Know Myself," that fits in least with the disc, almost seeming as tacked-on as "Time For Miracles" did on FYE. That doesn't mean it's not a great song, but it's too similar to Adam's 2009 hit, "Whataya Want From Me," and Adam has obviously evolved since then. Compared to other fierce new tracks like "Kickin' In" and "Pop That Lock," "BTIKM" almost seems tame. And we all know, Adam is not tame.

Other ballads on "side B," however, are some real next-level stuff. "Broken English," also featuring writing by Sam Sparro, is a dreamy, languid, slow-building slow-burner that brings to mind later-period Scritti Politti and the hypnotic, slinky instrumentation of Adam's iconic "Ring Of Fire" performance from back in the day. "Underneath" is a haunting ballad that exposes Adam at his most stripped and vulnerable. "Chokehold" is reminiscent of Duran Duran's sexy adult-pop classic "Come Undone," except with vocals about 13 octaves rangier than Simon Le Bon's. And then there's the exquisitely sad, dust-in-the-windy "Outlaws Of Love," a gay marriage anthem that may be Adam's boldest musical move yet, as he faces the media's constant probing into his lovelife and addresses it on his own terms, in his own voice.

And that's an important point to make here. While an artist's sexuality should never be the centerpiece of his or her career, Adam, as pretty much the only openly gay mainstream pop star out there, has never been able to escape that tag--and sadly, he probably never will. That's just the way the world works. And a path through the world of rock 'n' roll would have been an especially uphill one for him to take. But in the dance world, homosexuality is usually a non-issue, and it is often even celebrated and embraced. So I optimistically expect that Adam will be welcomed into the EDM community with open, glowstick-waving arms, particularly with an album as awesome as this one firmly establishing his crossover cred. And then hopefully, the rest of the world--i.e., music fans of all persuasions--will free their minds, and their behinds, and the rest will follow.

Link: music.yahoo.com/blogs/reality-rocks/adam-lambert-trespassing-deep-221149324.html






Adam Lambert’s Emotional Rescue
The ‘Idol’ star cleans up his act, scores a boyfriend and aims for the charts
Rolling Stone Magazine, May 24, 2012 issue
By Jonah Weiner

Adam Lambert’s Hollywood home sits atop a long driveway so steep that you could mistake it for a concrete wall. When Lambert began renting the midcentury modern with stunning city views, he thought the driveway was a pain. “To get up, you’ve got to overshoot it, turn around, come back and then turn in really fast at, like, a 9-degree angle, or else you scrape the whole bottom of your car,” he says. But after photographers caught wind of the American Idol star’s address, Lambert came to appreciate the driveway: “They’re not coming up that thing!”

Lambert in his kitchen, making a pot of Throat Coat tea. His jet-black bangs, tipped with blond, soar high above his forehead. His eyes are ringed with black makeup. There’s a dirty wok on the brushed-metal stove - Lambert and his boyfriend, a Finnish reality-TV star named Sauli Koskinen, have been “getting pretty domestic” lately. They’ve decorated the living room in haute-goth stele: skulls in bell jars, a steer skull painted black and white on one wall. A security monitor displays video deeds from a half-dozen camera mounted around the house. “My mom insisted I put them in,” Lambert says. She was like, ‘Did you hear what happened to Lindsay Lohan? Robbers stole her jewelry!’ I was like, ‘Mom, it’s Lindsay Lohan. She probably stole something from them first.’”

Lambert, 30, moved from his native San Diego to L.A. a decade ago. He dropped out of college after five weeks and spent the next few years singing on cruise ships and in a production of Wicked before deciding to audition for Idol in 2009. Lambert was a phenomena out of the box: His siren-wail high notes won standing ovations from Simon Cowell, while his ambiguous sexuality prompted titillated chatter. Lambert had lived uncloseted since just after high school, but he didn’t come out publicly - in Rolling Stone - until after the Idol finale, because he didn’t want to distract from his singing. “He’s a real artist, very comfortable doing difficult stuff,” says Chic mastermind Nile Rodgers, who collaborated with Lambert on a new song. “He reminded me of when I was working with David Bowie - it was so natural, this laser-focused jam.”

Looking out past his pool, Lambert can gesture down at the city and point out various crappy apartments he has called home. The funny thing, though, is that despite all his success - the Idol triumph; the fact that Justin Timberlake once compared him to Freddie Mercury and then Queen actually hired him to fill in for Mercury at several shows; the “low-five-figures” rent he can afford; the gleaming BMW 650i coupe parked in his garage - Lambert still feels like an impostor. “It’s still kind of nuts to me that I’m standing here,” he says.

That feeling animates Trespassing, Lambert’s new album. “It’s the Idol stigma,” he says. “On red carpets at awards shows, other musicians are either really open to embracing and being friendly and being associated with me, or they just don’t want to.” The feeling is also a function of his 2009 debut, For Your Entertainment, which didn’t ignite the way it could have. And, of course, it’s partially about Lambert’s sexuality. “A lot of times it’s in my own head, but it feels like a political move to be friends with someone like me,” he says. Elton John invited him to an Oscar party in February, and he’s chummy with Katy Perry, but he says he has no real famous friends: “Everyone I’m friends with now, I knew before.”

”This guy sang his heart out and expressed himself, and still he felt he wasn’t garnering the respect he deserved,” says Pharrell Williams, who worked on Trespassing. “And he felt his sexual orientation was always at the helm of any conversation about him.” With Trespassing, rather than shying away from the confrontation, he doubles down, as on “Outlaws Of Love,” a wounded ballad about gay persecution. “I wanted to be careful it wasn’t too much about the empowerment stuff,” he says. “With the title track it’s not like, ‘You can do it.’ It’s more like, ‘Fuck that shit.’

”I still feel like I’m not welcome,” Lambert adds. ” I went to the Grammys this year and felt really weird, like an outsider. Pop music feels like high school again - like, there’s the really cool kids, and I’m not one of those.”

You can’t talk about Lambert without talking about the blow job. He inaugurated his post-Idol career with the most scandalous display of fake felatio in pop history. It was November 2009, and Lambert was performing at the American Music Awards. At one point, he grabbed a male backup dancer’s head and thrust it toward his crotch. “It just kind of happened,” Lambert say. He says it wasn’t intended as a statement, it was just rock & roll spontaneity. Ditto his decision to kiss his male keyboardist. “The network people got upset, because there were complaints from a parent religious group - like, 1,500 complaints out of however many millions watched the show,” Lambert says.

The broadcast’s West Coast feed edited out the blow job and while it kept in the kiss, it switched to a faraway shot. Lambert says the controversy killed his single at radio. “My biggest confession afterward was, I felt like it was a double standard,” he says, “Female performers get away with anything they want, practically, and even straight male performers get away with a lot more than that.”

Defiant as this sounds, there probably won’t be any fake-blow-job headlines in Lambert’s new future. Since turning 30, he’s mellowed a bunch. “I have a very gluttonous, hedonist personality,” he says. “I love the idea of a wild night out, and if there could be an orgy in the corner and a hookah over there - I love the idea of that. But I’m moving out of that phase of my life.”

His romantic life has stabilized too. From 25 to 28, Lambert was single. “It was a brutal four-year period,” he says. “I was romantic, but life whittled that away. Gays don’t date. Most guys, you ask them out and they’re like, ‘What?’ I was hurt a lot.”

Not that he didn’t have fun. “I had some great nights - and some great mornings.” He reveals that he had sex with a woman for the first time. So how did he like straight sex? “I’m open, but it’s personal, so I’m not going to go into that,” he says. “I’m just a person that likes to try everything, so I’ve tried everything.”

At a Helsinki club in November 2010, while on tour in Europe, Lambert met Koskinen - a Finnish Big Brother winner with the carved cheekbones, chilly addict and overall undead hotness of a Blade villain. “I had a lollipop in my mouth, and he kind of smiled at me, so I took the lollipop out of my mouth and put it in his mouth,” Lambert says. “I was like, ‘He’s open-minded!’” A month later they rendezvoused in Paris and vacationed in Bora Bora.

Last December, Lambert awoke with a brutal hangover in a Helsinki jail cell. “I still had on leather pants and high-heel platforms from the night before,” he recalls, chagrined. He was in town to celebrate Christmas with Koskinen’s family; at club, he’d been drinking peppermint vodka and blacked out (Lambert suspects someone spiked his drink). He got into a drunken brawl with Koskinen that spilled onto the street. “We were on the floor wrestling,” Lambert says, relaying what the police told him. “There were no charges, thankful.” Lambert describes the night as “a wake-up call” - he hasn’t been drunk since, and he and Koskinen have taken to juicing and jogging together.

Lambert heads to a rehearsal studio, where he’s practicing with his band as they prepare to hit the road for a month. He steps to the microphone in a black T-shirt, fidgeting with his in-ear monitor, ironing out the kinks in the arrangement of “Outlaws Of Love.” “This feels too big, too loud,” he says. “Do the recorded backing vocals just come in at the end? Turn ‘em off.”

He gives the song another go, then flops at the edge of the stage, running his hand through his hair. “I have to stop singing,” he says. “My ears are getting tired. I have a headache.” Lambert is happier promoting this album than he was with For Your Entertainment, the making of which was rushed and somewhat haphazard. “The last one, we were guessing,” he says at lunch. “There was no time to let it settle and live with the music. It was ‘Get it out there before people forget about you.’” For Trespassing, he took his sweet time exploring a fun, hybrid sound. “I’m not borrowing so much from classic rock this time - more from disco, funk, house. Dance-oriented stuff. I want to make something that’s new, that feels like it’s making a bunch of things together.” You can hear that on the Pharrell-produced title track, where a house-music thud, screeching guitar, funk bass line, and “we will rock you” hand claps war with one another for space.

But he clearly isn’t overjoyed about the marathon of album-plugging, which starts the next day. Lambert used to sell makeup at Macy’s - “I learned a lot about being the professional ‘gay best friend;” - and this aspect of the business reminds him of those days. “When I go to radio stations and meet fans, it’s retail in the most fucked-up way,” he says. “What I’m so grateful for this year is I didn’t have to anything except work on the album.”

As Lambert pulls on his leather jacket, an assistant tells him to “pack for a month,” and he groans theatrically. He hugs everyone and heads out to the parking lot. Koskinen’s at home, and they’re going to spend their last night together greatly, cooking and watching TV. “It’s cool.” Lambert says. “Making the album was the art part. Now comes the work part.”

He climbs into his BMW and heads for the hills, where he will zigzag higher and higher up narrow streets, reach his hour, and try his best not to scrape the car going up his driveway.


Adam in Australian Rolling Stone




alidol ‏ @glam_alidol
.@adamlambert new album Trespassing Taiwan version promo poster pic.twitter.com/0hKmUQng


NEW! Trespassing Track Thread

You will find new threads for each of the tracks on Trespassing here: adamtopia.com/index.cgi?board=adam2

Add your comments, great videos, lyrics, whatever each track makes you think of!!


The back of TRESPASSING deluxe album CD








If you want to gift Trespassing….
or if you need a copy

Just a reminder that there is a Trespassing Gifting Thread for those who would like to gift Trespassing or for someone who needs a copy.

Link to Gifting thread: adamtopia.com/index.cgi?board=membersonly&action=display&thread=684

The most important thing is that everyone who wants this music, gets a copy of it.

If you want to give copies of Trespassing and want it to count as a US retail sale, you need to purchase with a US account and have delivered to a US address. In addition, do not purchase more than 7 copies from the same account, because this will most like not be counted as a retail sale.







STOP -- BEFORE YOU READ THE REST OF THE NEWS -- TIME TO REQUEST NCOE!!
Thanks to rabbitrabbit for US target station list!! And reminding us to request!!

First act locally --

UPDATED list of all monitored US and Canadian Top 40 and Hot AC radio stations are here: tinyurl.com/PlayALambert

Includes info for web, mediabase and phone requests.

These are the most important stations in North America for Airplay.

Also really cool, useful widget for United States Phone, Facebook and Twitter requests: spins.fm/

SATELLITE: GLOBAL REQUESTS OK

Sirius/XM Request on
Channel 2 SiriusXM Hits Music Pop Top 40 Hits Link: www.siriusxm.com/hits1
Channel 3 20 on 20 Link: www.siriusxm.com/20on20

Here are US "national" stations that accept requests from anywhere:
DO NOT SPAM!!!

Q102 Philadelphia!

www.q102.com/pages/info/request.html

You can now vote for NCOE on the Q102 Philly main page: Thumbs up! lower right corner, scroll to find NCOE: www.q102.com/main.html#ldr_widget
***********
Z100 New York!!
www.z100.com/pages/info/request.html
***********

LOCAL REQUEST HOT LIST!!!

For Dallas give a thumbs up & hit REQUEST for NCOE on the iHeartradio 5@5 on Mix 102.9 www.mix1029.com/main.html#ldr_widget (on right)

Allentown area people can also request NCOE on the main page here:
www.b104.com/main.html

If you live in the broadcast area for any of these stations, please request. These are the bigger (monitored) US markets now spinning NCOE. You can request everyday if you are in the area!

WIOQ-FM Philadelphia Top 40 (takeover spins only so far) mediabase.com/mmrweb/7/stationplaylistrequest.asp?c_let=WIOQ-FM
WKSC-FM Chicago Top 40 mediabase.com/mmrweb/7/stationplaylistrequest.asp?c_let=WKSC-FM
WXKS-FM Boston Top 40 mediabase.com/mmrweb/7/stationplaylistrequest.asp?c_let=WXKS-FM
WKTU-FM New York Top 40 mediabase.com/mmrweb/7/stationplaylistrequest.asp?c_let=WKTU-FM
WAEB-FM Allentown, PA Top 40 mediabase.com/mmrweb/7/stationplaylistrequest.asp?c_let=WAEB-FM
WKRZ-FM Wilkes-Barre Top 40 mediabase.com/mmrweb/7/stationplaylistrequest.asp?c_let=WKRZ-FM
WSTW-FM Wilmington, DE mediabase.com/mmrweb/7/stationplaylistrequest.asp?c_let=WSTW-FM
WSJT-FM Tampa mediabase.com/mmrweb/7/stationplaylistrequest.asp?c_let=WSJT-FM
KLTG-FM Corpus Christi mediabase.com/mmrweb/7/stationplaylistrequest.asp?c_let=KLTG-FM
KIOI-FM San Francisco mediabase.com/mmrweb/7/stationplaylistrequest.asp?c_let=KIOI-FM
KLLC-FM San Francisco mediabase.com/mmrweb/7/stationplaylistrequest.asp?c_let=KLLC-FM
KCIX-FM Boise, ID mediabase.com/mmrweb/7/stationplaylistrequest.asp?c_let=KCIX-FM
WIAD-FM Washington, DC mediabase.com/mmrweb/7/stationplaylistrequest.asp?c_let=WIAD-FM
WTIC-FM Hartford mediabase.com/mmrweb/7/stationplaylistrequest.asp?c_let=WTIC-FM
KDMX-FM Dallas mediabase.com/mmrweb/7/stationplaylistrequest.asp?c_let=KDMX-FM
KWYE-FM Fresno mediabase.com/mmrweb/7/stationplaylistrequest.asp?c_let=KWYE-FM
KBFF-FM Portland mediabase.com/mmrweb/7/stationplaylistrequest.asp?c_let=KBFF-FM

--------------------------------------------

Canada!!!

In British Columbia: www.1073kool.fm/ rate NCOE as a new track (in black box)

Canadians can vote for NCOE for 6 at 6 on Quebec radio:
www.ckoi.com/quebec/musique-6a6.php
NCOE made it into the top 6 once so far.


International request links:

Czech TV

TV -- vote for BTIKM at: ocko.idnes.cz/hitparada.aspx need to do captcha!

MTV Serbia:
mtv.rs/top-liste/top-20

MTV Croatia:
www.mtv.com.hr/top-liste/top-20

Top 50 Srbija:
www.poptoplista.com/
Please, just click on GLASAJ!!!

Greece
www.starfm.gr/top

Finland
ylex.yle.fi/musiikki/soittolista (click the heart)

New Zealand

Vote for NCOE in the ZM nightly top 20 countdown.
www.zmonline.com/votemusic/

The Edge nightly top 20 countdown. It is important to get NCOE on the countdown -- you have to register to vote.
www.theedge.co.nz/Music/Top20.aspx




Upcoming Events
Check the Adamtopia calendar for more events and links to more info.

NOW PREORDER ALBUM AdamOfficial.com, Amazon and iTunes.

NOW BTIKM track, music video and Remixes on sale in US and 20+ other countries.

NOW-- NCOE on sale in US and many other markets.

May 8, 2012: Trespassing Streaming Online!!!

May 10, 2012 Adam on Chelsea Lately (US Cable)
www.interbridge.com/lineups.html

Th 5/10: Adam Lambert, Chris Franjola, Loni Love, Greg Fitzsimmons

Laura ‏ @laura_ansa
Adam on Chelsea Lately May 10th!! Live stream: bit.ly/JEnl2w (http://pic.twitter.com/pZwMRD2l)

May 14, 2012: Adam's performing at the MLB Fan Cave in NYC
Open to the Public, General Admission. VIP admission contest on AdamOfficial.com
mlb.mlb.com/fancave/schedule.jsp#fbid=LrwCSP7Stxc

Contest info: www.adamofficial.com/us/event/2012/05/14/mlb-fan-cave

May 14, 2012: 12:00AM EST/11:00PM CST Adam performs NCOE on Jimmy Kimmel Show (rebroadcast of 4.26.12 show) Performance of NCOE in last 7 minutes of show, 1:00AM EST (technically broadcast on May 15, 2012).

TBD AOL Sessions

Trespassing release dates:
May 11, 2012: Norway
May 14, 2012: Russia (unconfirmed)
May 15, 2012: US, Canada, Mexico
May 16, 2012: Finland
May 18, 2012: Germany, Austria, New Zealand, Australia
June 6, 2012: Japan
July 2, 2012: UK


May 15, 2012: Adam performs at iHeart Radio Theater, New York City 5:00PM EST Z100 will be streaming it LIVE!!! More info: www.z100.com/iplaylist/artist/1152615/#ixzz1txO0YzAv

May 17, 2012: Adam performs NCOE on American Idol (CONFIRMED)

May 18, 2012 5:30 PM: Adam performs at KISS 103.5 FM FANTABULOSO Allstate Arena, Rosemont, IL

May 18, 2012: Glam Nation Tour Live on Philippine TV -- Starworld and 27 on Channel V

May 19, 2012: Adam performs at KISS Concert, Comcast Center in Mansfield, MA.

May 20, 2012: Adam performs at KTU-phoria (North New Jersey)

May 21, 2012: Adam performs at the MLB Fan Cave (NYC)

May 22, 2012: Adam performs at Q102 Springle Ball, Wells Fargo Center, Philadelphia, PA. (Q102 promo concert)

May 25, 2012: 98.5 KRZ F.M. Kirby Center Wilkes-Barre PA
www.985krz.com/Adam-Lambert - Adam is headliner.

May 26, 2012: 6:00pm until 8:00pm 96.5 TIC Spring Fling Concert Agawam, MA 01001
Adam performs at 96.5TIC Six Flags New England Spring Fling Concert presented by Coca Cola on the Metro PCS stage in our Catering Grove on Saturday, May 26. The concert is free with park admission or a season pass.

5.7.12: 96.5 TIC announced that Javier Colon will open for Adam Lambert at their All-Star Spring Fling: "We are THRILLED to announce Javier Colon (@javstwtr) will be opening for @adamlambert @sixflags ow.ly/aKxxC."

May 27, 2012: Adam headlines 94.7FM FRESHtival - at Gaylord National Resort, Metro Washington DC area. More info: 947freshfm.cbslocal.com/show/freshtival/

May 29, 2012: NCOE Mainstream Top 40 Add Date/Impacting Radio
Link: www.allaccess.com/top40-mainstream/future-releases

Around June 30, 2012: ? Queen + Adam and Elton John in Concert. Kiev (unconfirmed)

July 3, 2012: Queen + Adam Concert, Moscow
Moscow Olympic Arena with Queen. NEW DATE

July 7, 2012: Queen + Adam in Poland
at Municipal Stadium in Wroclaw at the festival Rock in Wroclaw
Where is Wroclaw? en.wikipedia.org/wiki/Wroc%C5%82aw

July 11 and 12, 2012: Queen + Adam Concert, London
UK HMV Hammersmith Apollo with Queen

August 18 and 19, 2012: Summer Sonic 2012 Festival Concert, Osaka and Tokyo, Japan.



Every Saturday from New Zealand -- Adam Lambert Hour -- Live 5:00PM EDT US.
Link: theflea.co.nz/

Check out the ALH page for podcast of previous shows.
This is the only weekly Adam Lambert show in the world.




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