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Post by skaschep on Nov 26, 2017 10:21:47 GMT -5
It pays to have a lot of RTs so Adam has a better chance to see it and repost it. Or people reposting your video enough times so Adam sees it on his IG feed. Without credits probably. Sorry for the sarcasm.
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Post by skaschep on Nov 26, 2017 10:55:40 GMT -5
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Post by skaschep on Nov 26, 2017 10:56:36 GMT -5
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Post by skaschep on Nov 26, 2017 10:57:36 GMT -5
adamlambert Saw this on the wall on our way in! Back w @officialqueenmusic at Belfast’s SSE Arena ! Last time was 2011 for the EMAs! #mtvema #qal http://instagr.am/p/Bb9s5PXAalS
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Post by skaschep on Nov 26, 2017 10:58:57 GMT -5
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Post by skaschep on Nov 26, 2017 11:10:50 GMT -5
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Post by skaschep on Nov 26, 2017 11:18:35 GMT -5
Eddie @divadaz Please do your own show here next time ❤🍀😍 So lovely to meet you last night 😚😚
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Post by skaschep on Nov 26, 2017 11:19:19 GMT -5
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Post by skaschep on Nov 26, 2017 11:19:55 GMT -5
brianmayforreal And in 3-D ... every day is a slightly different kind of challenge. But this arena is exactly the kind of room our production was designed for. A perfect opportunity tonight. Bri www.instagram.com/p/Bb9wLLCjmhm/
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Post by cassie on Nov 26, 2017 11:27:43 GMT -5
We notice little differences from performance to performance. We notice when he adds a riff or goes for an unusual glory note. Or when he doesn't. On yesterday's thread we were discussing whether Adam works with a vocal coach or takes lessons. LindaG23 posted a quote from the coach who worked with Adam before the GNT. I remembered Adam working with a vocal coach before GNT as well and found this reference to working with Dave Stroud including a nice quote: He explains his approach with Adam Lambert's tour: "Adam can do extreme things with his voice that most singers will probably never be able to do, but he can't do it endlessly." Stroud started by going through Lambert's set list. "Adam's tour right now is around 14 songs, of which three are at 11 on the intensity scale," he says. "Going all out on those songs, it makes it more difficult to pull off the subsequent songs. The fact is Adam is so amazing that he doesn't have to overdo it. I work with the music director to look at the peaks, where they happen in the show, and where he can recover from that." www.backstage.com/advice-for-actors/singing/rescuing-voices/I think that Adam has learned that he doesn't have to throw in all those glory notes every time. That he can rely on the quality of his voice, the richness and purity of his tone, to sell the song and win over any audience. He probably chooses which glory notes to play with based on how his voice feels, how much energy he has at the time, whether he has another show the next day or had one the previous day, even what the temperature and humidity are on stage. Adam is a very thoughtful singer. Very calculated. He knows exactly what he is doing while he appears to be totally spontaneous. Also, we talk about other singers who have had voice problems and hope Adam does not fall prey to similar difficulties. This comment, that he doesn't HAVE to overdo it, is a testimony not only to his technique, but also how solid and exceptional his voice is. Take away the glory notes and his voice still blows people away. As his voice matures and gets even richer and more beautiful, and as Adam has gotten much more experience in front of audiences and with different styles of song, Adam has learned how to use his voice to maximum effect without relying on "high and loud" all the time. (Like other belting singers frequently do.)
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