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Post by hrithika on Feb 23, 2020 8:45:38 GMT -5
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Post by hrithika on Feb 23, 2020 8:47:02 GMT -5
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Post by hrithika on Feb 23, 2020 9:02:32 GMT -5
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Post by hrithika on Feb 23, 2020 9:02:58 GMT -5
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Post by satisfied on Feb 23, 2020 9:04:20 GMT -5
Thanks for bringing this over, DancyGeorgia! Really interesting to read about "The Lambert Challenge". fohonline.com/articles/production-profile/queen-tour-rocks-arenas-old-style/"Stokes has been working mixing boards for 30 years, and not as a monitor engineer. “I’m primarily a FOH guy, so this is a bit unusual for me,” he says. “When I do work as a monitor engineer, it’s usually because the situation is problematic.” Stokes has a history with Lambert, having been his FOH for the singer/songwriter’s own shows. “He is an amazing singer and has an amazing range and pitch. I work for k.d. lang a lot, and she, too, has an amazing range and pitch. Really good singers have really good hearing!” he laughs. “They hear subtle details more than average singers, and consequently, they have more specific needs. There’s not a static mix that will make them comfortable or happy through a whole show or even a whole song. When they go in the higher register, you need to ride a fader or EQ a bit, for example.""
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Post by hrithika on Feb 23, 2020 9:06:08 GMT -5
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Post by hrithika on Feb 23, 2020 9:07:59 GMT -5
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Post by hrithika on Feb 23, 2020 9:08:36 GMT -5
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Post by hrithika on Feb 23, 2020 9:10:03 GMT -5
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Post by hrithika on Feb 23, 2020 9:11:00 GMT -5
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