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Post by nica575 on Sept 22, 2013 10:12:21 GMT -5
Well, you know the routine. We are desperate. We are filled with longing. Our anticipation is so high we have paramedics’ phone numbers stuck to our desks in case we faint or have cardiac arrest during that extraordinary 30 minutes. And then fun. is allotted 5 minutes and 46 seconds of that 30 minutes, so we’re now down to what… 24-25 minutes, and it’s like Noooooooooooooooooo pleeeeeeeze Nooooooooooooooooooooooooooo!!!!! Don’t take away 5 minutes and 46 seconds from us!!!! Some random thoughts regarding this: Just before the show started, I felt the equivalent of stage fright as if I was going to sing with Queen. This made me realize that I am not merely enjoying Adam's performances as a viewer/listener, I am using him as an avatar! I am getting pleasure when he gets things right (which is nearly 100% of the time), and I feel the same pain when he gets something wrong as if *I* did something wrong in front of a large audience. I am projecting myself into his body and living a parallel life as a performer I can never be (I don't have 0.0001% of his singing abilities although I have inherited a pretty good ear from some classically trained people in the family). It surely has some parallels to how people invest in characters from soap operas, dramas or reality shows... If I could be a superhero, I would like to be Superman (just not the one from "Man Of Steel" ) . If I could be a singer, I would like to be AFL! I am somewhat glad that there was another guest included in the set though. Not only did it provide a sense of contrast (here is the best singer Nate knows, and here is Nate himself, whoever has the ear should listen), but it also shifted the attention from Adam being a guest of Queen to Fun being the guests and Adam being the actual singer of Queen who takes a break to let the guests play a bit... The act was billed as "Queen+Adam Lambert", and there was a lot less discussion about why Adam was there as he appeared as the organic part of the collective - composed, relaxed and musically perfectly fitting - while Fun appeared as the fans that felt blessed to even be there with their heroes.So everything is a matter of a point of view. I usually skip the STL part when watching the concert videos simply because it hurts my ears a bit, but I appreciate what it did to the total perception of the act for the viewers and for the media - it emphasized Adam's qualities and did not take away from him anything... I also mentioned once that I did not like AOBTD or CLTCL in London and I wasn't looking forward to hearing them in Vegas. I am taking this back, Adam has improved by leaps and bounds and these two are now together with WWTLF my favorites from the new concert! Now if he would just do Runnin' live with this low register, I could go die happy... THANK YOU! EXACTLY!!!!!
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Post by nica575 on Sept 22, 2013 10:18:21 GMT -5
Just wanted to say thanks again to everyone for the support. I was on my phone a lot and I hate quoting on it etc. so I can't thank you all individually as I usually would But I appreciate it all! I would like to point out that in most circles (even in the anti-Adam) circles a bit of a swell in at least a grudging "He was better than he was in Kiev/Hammersmith") and while that sounds like damning praise, from that particular circle that's more than I ever would have thought he would get I watched the set again and I think it was pretty spot on. I don't think the band want to any real tours so I don't see it happening. I don't even know about big one offs...BUT I think they could do the occasional festival, big gig like this and when it happens I would believe that Adam would be the first person they call unless there was some specific reason not to... With that being said there are a few things stirring that might induce some promotional needs.... Roger has his solo stuff coming out and there's been rumors he'll do a small (most likely UK only) tour but if Adam is in London for something, I wouldn't be surprised to have him guest - as Roger is wont to have guests all the time...and if Adam was there, Brian might show up too... Furthermore with Queen. There was talk of a Queen ballads collection coming out Christmas time that would include a new Queen song (from the archives)...but recent interviews also point to B&R having found so much in the vaults they may make a full on Queen album (with Freddie tracks from the vaults (OMG THAT WOULD MAKE MY LIFE) and that may derail the Ballads collection. BUT either way Queen might decide to do a small promotional tour then...*shrugs* Just a thought. And I can't help that think that at SOME point, QAL will make a studio appearance. I don't really see a full album so to speak...but a song for a soundtrack, maybe a Q guest appearance on his next album...something. That's just a gut instinct though and I could be wrong... Freddie purists are softening? Awesome! Even they can't resist... Re future collaborations: I am thinking that Adam would have to be very careful balancing his "Adam Lambert solo" and "QAL" image... overdoing the latter might be counterproductive to some extent... But we know he is on top of his image, so no worries here...
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belle
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Post by belle on Sept 22, 2013 10:42:21 GMT -5
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Post by 4EverAdam on Sept 22, 2013 11:37:51 GMT -5
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Post by Q3 on Sept 22, 2013 12:42:48 GMT -5
I am back from Vegas. So tired from the non-stop day from yesterday. I sat with the lovely Q3 at the ATOP dinner before the show. It was very nice to put a face with all the names. You are as lovely as I imagined, and I really enjoyed Momtomany's stories. Our seats were not the best for the price we had to pay. (Mys*&@^#r you were right to upgrade.) I didn't mind too much because I was only listening to the audio and didn't care about the early artists. The highlights for me were Muse, Elton, Katy and QAL. Strange thing...it seemed light a lot of the younger fans left after Katy. Some went down to open seats on the floor but a lot left the building. Their loss. My DS and I moved down to an area for better viewing before QAL. I got some of the famous "chipmunk" effect for the first couple of songs until WWTLF and then it was perfect. Adam has never looked or sounded better. 35 minutes felt like 15. There was a tweet about those who left after Katy, they felt sorry for them. The exodus could be why Elton John got the biggest cheers. Elton John got the biggest cheers because he was spectacular, funny and his piano playing was better than ever. Everyone was on their feet and it was automatic, not planned. This was not a normal concert audience. I was on the right side of the floor -- but I think the left side was the same mix. Most of the people on that side were "pretty people up front for the cameras in the first 1-9 rows, Clear Channel execs and friends who were not important enough to be in the VIP area, fans who bought tickets from brokers or MGM Grand VIP package, high rollers who got comped tickets, PDs from Clear Channel hubs, and people who were execs from national sponsors. I think perhaps 200 people left the floor after Katy -- I have no idea what was going on in the other parts of the arena. But all of the floor seats were not used -- There were about 12 seats in the Clear Channel Floor D block that no one ever sat in. I was able to move to a better, center aisle seat. For Adam I moved even closer -- in front of the sound/tech area center floor -- it was the perfect place. There was a large group of people in front and behind me who had VIP tags and they left to go the the VIP lounge and/or elevated VIP seating area after Katy Perry. They were coming and going all night -- and different people were in the seats at different times.
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Post by theosgma on Sept 22, 2013 22:53:12 GMT -5
This is probably a dead thread so I will post this recap here but also in the news thread. Sorry for the repetition.
Hi Guys
Well it’s time for my recap
Arrived Thursday late and Dancygeorgia was out at the “O” show and waltzed in around 1 AM. We slept in late which we both needed and headed over to the dinner at MGM with our fab Atop crew. I don’t think I would ever get tired of watching momtomany talk. I couldn’t hear her as the restaurant was so noisy but I didn’t need to. Her face is so expressive, open and loving that I got the gist of everything she said.
I headed to the nose bleed section but knew in advance that one of my very dear friend’s mom was an usher and it turned out she was working my section! No way?? Way! After about an hour, she turned up at my seat waving a ticket for a MUCH better location.
I didn’t know anyone around me so I was able to be lost in my own thoughts waiting for Adam. As you may know, BA (before Adam) I had stopped listening to any popular music (rock, pop, rap etc etc) for years. Why? First date with my husband was for an opera and it was classical music for him (and me) all the way. Too long to tell you why I turned on AI that fateful night but I did and here I am in Las Vegas at I Heart Radio. NO ONE that knows me well would have ever predicted this.
Tried to have an open mind and actually enjoyed a few of the acts - Elton John and Muse especially. I have warm thoughts about Katy since she is so supportive of Adam though the cotton candy gets to me. I have to say that Las Vegas knows how to get this stuff done. They were spot on in their timing and with one exception, their techie stuff.
I also want to say in reference to some of what created the furor on the list that more than one singer corrected their language when a swear word started to slip out. It was VERY clear that they had instructions to rein in it. It wasn’t wild child night at all - at least not until the next night when Miley showed up. But then she is a she and the double standard applies.
As the time for QAL approached, like several others, I found myself fluttery from excitement but also nerves. Somehow it felt the stakes were very high. I totally knew the level of Adam’s professionalism and Queen’s so there was no reason to feel that way but yet .....Diva’s......AMA.... something about those live broadcasts that are scary. I couldn’t believe Queen opened with BoRap. Q3 said in all her years of listening to them, they NEVER started a performance with BoRap but it was a brilliant move. I spent half my flight over wondering what the hell they were going to open with. The medley from last summer was not going to be appropriate, WWRY - not an opener, not TSMGO like EMA’s - not familiar enough or upbeat enough for a starter on this occasion . I was racking my brains but the wily Brian and Roger had just the ticket. It brought the whole audience right in to the heart of the iconic sound of Queen.
Then I realized that it was going to be a snippet and so too the other songs. I don’t like snippets. They don’t give the opportunity to unfold the fullness of Queen’s textures. However, they pulled off the snippet thing admirably through the genius of the force of nature that is Adam Lambert - his voice, presence, charisma, movement, class - on and on. He was Queen - seamlessly integrated into the band. It felt very different than last summer. It was his rightful place - not an invitation to do a series of concerts. He was not so much “our boy Adam” but more like “you are the man”. Yet, he is still the individuated Adam Lambert - his own man, distinct and independent. Quite a feat to achieve.
NO ONE ELSE’S voice filled that arena with anything even approaching the richness, phrasing, breath support, velvet continuity of the musical line. It was like night and day. And it wasn’t just the voice. It was the whole enchilada. To say he was a class act was a complete understatement.
My breath stopped when WWTLF started. My mind went to Cassie and I heard her explain when and under what circumstances Adam will take that high note - how he has to know in his body in the moment that it is truly there. And I prayed! Very odd thing to do sitting in a Las Vegas concert but I did because I knew he was going to go for that note - the moment demanded it - the need for him to establish who he really is in these United State demanded it. And then there it was - absolutely perfect. I totally teared up.
To me, it was completely natural that he would leave the stage after that song. He did it for each of the six shows last summer and I found myself wondering whether in fact, he needed a short break - whether it was actually, I won’t say necessary, but better for him to have that little respite. That is a very demanding song - body, soul, emotions, vocals. Can’t really imagine him just bopping into another song right after. It felt right to have the guest come on just then. And he was a guest. That distinction was so clear. And Brian was so happy to promote another young artist. He loves that and Nate was so bouncy and adorable.
After I heard that Fun had tried to have Queen come to their Grammy performance, I actually was happy they did this instead. The selfish me, the grasping for Adam advantage me, didn’t want that to go to someone else. Of course I would rather see Adam on the Grammy stage doing his own music but if that is out of the question for another year, than I would like the door open for another route be it Nile or Queen and if Queen was on last year that would null them out. So for me, this was a small price to pay.
When Adam came back on for FBG, the distinction between “the man” and the guest was even sharper. I honestly couldn’t get over how natural Adam was in his front man role. Don’t get me wrong - he was unbelievable last summer. This is more a qualitative than quantitative difference. The aura was different. And it went on like that until the glorious end. I too hung out to hear comments. I wound up in a conversation with a man of around 50 maybe who was FURIOUS. He came to hear Queen not knowing whether he would ever hear them live again and he was livid that they did get more time and had to cut their songs up so much. He also was livid that STL was not sung by Adam (not a Glambert by the way but someone who loves Queen and their music) He felt that song deserved Adam’s voice and style.
On the way out I saw radio crews interviewing concert goers and stopped and listened to a few of the interviews. When asked what was their favorite act, the four I heard all said Adam and Queen! One group had come over from London only to hear QAL. That impressed the radio crews!
The evening ended flailing with Atoppers, eating ice cream with Dancy and heading back late to our room. I had to get up for an early flight and I chucked when I realized as I was getting up at 5:30, Dancy was just rolling off the computer into bed having pulled an all nighter mesmerized by the list comments, pictures and reviews or totally involved in doing her audio magic for all of us to enjoy. She is a treasure and so generous in sharing her expert results.
As I winged home, my eyes were closed the whole time (very red and tired) but the head set was on and the glorious voice of Adam filled my heart and soul. I am forever a slave.
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Post by stardust on Sept 22, 2013 23:30:46 GMT -5
Thanks theosgma!!! What a great recap!! Loved all the details!
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talon
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Post by talon on Sept 23, 2013 7:23:16 GMT -5
I couldn’t believe Queen opened with BoRap. Q3 said in all her years of listening to them, they NEVER started a performance with BoRap but it was a brilliant move. I spent half my flight over wondering what the hell they were going to open with. The medley from last summer was not going to be appropriate, WWRY - not an opener, not TSMGO like EMA’s - not familiar enough or upbeat enough for a starter on this occasion . I was racking my brains but the wily Brian and Roger had just the ticket. It brought the whole audience right in to the heart of the iconic sound of Queen. Then I realized that it was going to be a snippet and so too the other songs. I don’t like snippets. They don’t give the opportunity to unfold the fullness of Queen’s textures. However, they pulled off the snippet thing admirably through the genius of the force of nature that is Adam Lambert - his voice, presence, charisma, movement, class - on and on. He was Queen - seamlessly integrated into the band. It felt very different than last summer. It was his rightful place - not an invitation to do a series of concerts. He was not so much “our boy Adam” but more like “you are the man”. Yet, he is still the individuated Adam Lambert - his own man, distinct and independent. Quite a feat to achieve. Nice review! Quick nitpick info for you Bo Rap also opened the infamous Live Aid for another snippet performance. Also there was a time when a taped opera section opened the show into the hard rocking section done live. WWRY also has been used as well...Most of the times it's the fast version but there were times it started slow and then went into the fast version to open the show! Finally snippets are never loved by fans but generally it's the best way to do these kind of general audience shows. Hit the hard, hit them quickly and bowl them over!
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Post by theosgma on Sept 23, 2013 7:48:01 GMT -5
I couldn’t believe Queen opened with BoRap. Q3 said in all her years of listening to them, they NEVER started a performance with BoRap but it was a brilliant move. I spent half my flight over wondering what the hell they were going to open with. The medley from last summer was not going to be appropriate, WWRY - not an opener, not TSMGO like EMA’s - not familiar enough or upbeat enough for a starter on this occasion . I was racking my brains but the wily Brian and Roger had just the ticket. It brought the whole audience right in to the heart of the iconic sound of Queen. Then I realized that it was going to be a snippet and so too the other songs. I don’t like snippets. They don’t give the opportunity to unfold the fullness of Queen’s textures. However, they pulled off the snippet thing admirably through the genius of the force of nature that is Adam Lambert - his voice, presence, charisma, movement, class - on and on. He was Queen - seamlessly integrated into the band. It felt very different than last summer. It was his rightful place - not an invitation to do a series of concerts. He was not so much “our boy Adam” but more like “you are the man”. Yet, he is still the individuated Adam Lambert - his own man, distinct and independent. Quite a feat to achieve. Nice review! Quick nitpick info for you Bo Rap also opened the infamous Live Aid for another snippet performance. Also there was a time when a taped opera section opened the show into the hard rocking section done live. WWRY also has been used as well...Most of the times it's the fast version but there were times it started slow and then went into the fast version to open the show! Finally snippets are never loved by fans but generally it's the best way to do these kind of general audience shows. Hit the hard, hit them quickly and bowl them over! Thanks for the correction. I get snippets work and they were certainly used last summer but with such an artistic grouping that have so much to say and the musical fullness and chops to do it, I love to see them settle completely into a song.
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