|
Post by skaschep on Jul 21, 2018 6:51:32 GMT -5
Congrats @adamlambert with 189 million streams on @spotify for #GhostTown! 🎉 Now 189,012,776 streams (+42,172)! ❤️👻🏙️ #NowPlaying 🎧 (16 July 2018)
|
|
|
Post by skaschep on Jul 21, 2018 6:52:06 GMT -5
2018 Mid Year stats from @pollstar including stats from the @queenwillrock + @adamlambert shows! Reaching #35 on the World Wide Tours Top 100 with 23.9 million gross! 🎉 Data included up until the Hamburg show. 18 shows total. Pollstar @pollstar 2018 Mid-Year Special Features; Top Tours, Ticket Sales, Business Analysishttps://www.pollstar.com/article/2018-mid-year-special-features-135890 www.pollstar.com/Chart/2018/07/2018MidYearTop100WorldwideTours_656.pdf www.pollstar.com/Chart/2018/07/2018MidYearWorldwideTicketSalesTop100Tours_660.pdfTop 100 Worldwide tours: #35 23.9 Gross 121.06 Average Ticket Price 14,102 Average Tickets 194,422 Total Tickets 1,707,143 Average Gross 14 Cities / 18 Shows (up until Hamburg) World Wide Ticket Sales Top 100 Tours #73 with 153,738 tickets (strangely not the same as on the other stat) The first 10 shows in New Zealand and Australia brought in 13,860,840 gross so that means the first 8 shows in Europe brought in about 10 million gross. This is about 1.25 million per show with about 11,201 tickets per show sold. This last is not close at all to sold out for those shows.
|
|
|
Post by skaschep on Jul 21, 2018 6:52:39 GMT -5
Congrats @steveaoki, @felixjaehn, @adamlambert with 4 million streams on @spotify for #CantGoHome (Remixes)! 🎉 Now 4,000,998 streams! 🎧 #NowPlaying (17 July 2018) @noisecontroller @crystal_Lake
|
|
|
Post by skaschep on Jul 21, 2018 6:53:03 GMT -5
Congrats @adamlambert with 12 million streams on @spotify for #ForYourEntertainment! 🎉 Now 12,000,136 streams (+8,252)! 🎧 #NowPlaying (20 July 2018)
|
|
|
Post by skaschep on Jul 21, 2018 6:53:29 GMT -5
Some data from Queen Billboard's 2018 Money Makers: 50 Highest-Paid Musicianswww.billboard.com/photos/8465835/highest-paid-musicians-money-makers33. Queen & Adam LambertQueen’s surviving members own their catalog, which added $4.7 million in sales, streaming and publishing royalties to the tidy sum they make touring with Lambert. The act also generated 640 million streams in 2017, almost double the average of heritage acts listed here. LAST YEAR: N/A Methodology: www.billboard.com/articles/business/8466168/highest-paid-musicians-methodology-money-makers-2018METHODOLOGY: Money Makers was compiled with Nielsen Music and Billboard Boxscore information, using 2017 U.S. data only. All revenue figures cited are Billboard estimates and may not equal the sum of the subcategories due to rounding. Unless otherwise noted, references to streaming totals consist of combined on-demand audio and video streams. References to recording-career totals are the sum of an act’s sales, streaming and publishing earnings. Revenue from featured-artist appearances, merchandising, synchronization and sponsorship is not included. Touring revenue, after the manager’s cut, equals 34 percent of an act’s Boxscore. The top 10 lists for sales royalties were calculated based on physical and digital albums and track sales; streaming royalties consist of on-demand audio and video streams, and estimated royalties from webcasting, SiriusXM and Music Choice. The following royalty rates were used: album and track sales, 22 percent of retail revenue. If the artists own their masters, the rate used was 66 percent of wholesale. On-demand streaming royalties were calculated using blended audio and video rates of, respectively, $0.0054 and $0.0018 per stream, applied against a 33 percent superstar-artist royalty rate; 50 percent for heritage artists; and 79 percent for artist-owned masters. Further, the statutory subscription per-stream rate of $0.0022 was applied to programmed streams and per-play estimated rates of 74 cents for Music Choice and $30 for SiriusXM. Publishing royalties were estimated using statutory mechanical rates for album and track sales. The Copyright Royalty Board streaming formula produced an average rate of 13.1 percent of streaming revenue, an average of $2.50 per play for hit radio and 60 cents per play for heritage spins and per-play publishing rates of 40 cents for Music Choice, $8.33 for SiriusXM and $0.0003 for programmed streams. A 10 percent manager’s fee was deducted from the resultant artist and publisher royalty pools, and a further 4 percent producer’s fee was deducted from each artist’s royalty pool.
|
|
|
Post by skaschep on Jul 21, 2018 6:53:55 GMT -5
Congrats @adamlambert & @jkcorden with over 6 million views for Front Man Battle w/ @queenwillrock on the @latelateshow in 2017! 🎉 Now 6,004,947 views on @youtube! 🎧 #NowPlaying (21 July 2018) youtu.be/LUuuWyCkS_U via @youtube
|
|
|
Post by skaschep on Jul 23, 2018 18:04:21 GMT -5
Congrats @adamlambert with 5 million streams on @spotify for #Rumors (feat. @tovelo)! 🎉 Now 5,001,478 streams (+2,017)! 🎧 #NowPlaying (23 July 2018)
|
|
|
Post by stardust on Jul 25, 2018 12:49:25 GMT -5
New Box Score
Queen + Adam Lambert O2 Arena London, England July 2, 4, 2018 $3,276,590 32,471 / 35,870 2 / 0 $1,188.21, $91.10, $52.15 Phil McIntyre Entertainments
|
|
|
Post by skaschep on Jul 27, 2018 2:23:45 GMT -5
Congrats @adamlambert with over 27 million views for #BetterThanIKnowMyself [Official Music Video]! 🎉 Now 27,001,444 views! 🎧 #NowPlaying (27 July 2018) youtu.be/Lg31XQR22zg via @youtube
|
|
|
Post by skaschep on Jul 29, 2018 10:29:21 GMT -5
Congrats @adamlambert with 10 million streams on @spotify for #Trespassing! 🎉 Now 10,000,828 streams (+3,063)! 🎧 #NowPlaying (29 July 2018)
|
|