|
|
Post by Q3 on Mar 4, 2024 0:04:23 GMT -5
Here is today's news thread.
|
|
|
|
Post by pi on Mar 4, 2024 2:09:54 GMT -5
|
|
|
|
Post by pi on Mar 4, 2024 2:16:42 GMT -5
|
|
|
|
Post by pi on Mar 4, 2024 2:23:53 GMT -5
|
|
|
|
Post by pi on Mar 4, 2024 2:26:41 GMT -5
|
|
|
|
Post by pi on Mar 4, 2024 4:16:42 GMT -5
|
|
|
|
Post by pi on Mar 4, 2024 4:21:29 GMT -5
|
|
|
|
Post by pi on Mar 4, 2024 4:44:06 GMT -5
|
|
|
|
Post by pi on Mar 4, 2024 6:03:52 GMT -5
|
|
|
|
Post by pi on Mar 4, 2024 6:05:40 GMT -5
Translated from Japanese A thorough report on Queen + Adam Lambert's Chishu Raku performance on their Japan tour that filled Japan with joy! - rockinon.com Western music blog twitter.com/rockinon_com/status/1764485928012443914 I'm still excited. Queen + Adam Lambert's largest-ever Japan tour ended with great success. This "Rhapsody Tour" made me realize once again how experimental Queen's songs were, and how visionary the themes and messages contained in those songs were. I can't imagine a vocalist other than Adam Lambert who can add more persuasive power to a completed song that is in keeping with the times. This time, I especially thought the way the set list was put together was perfect. To be honest, until I finished watching the performance at Tokyo Dome, I found myself thinking trivial things like, "Did they play Killer Queen in Nagoya? I'm jealous." (I still wish I had heard it, though. Even with that in mind, the setlist at Tokyo Dome was what I thought was perfect. There was a reason for every song played, and the stage was designed to clearly reflect that, making it clear that Queen + Adam Lambert is an ongoing project. I contributed a detailed report on the second day of the Tokyo Dome performance, including my thoughts on the set, to the "Rockin'on April issue." We hope you enjoy it as a way to reflect on the memorable first Tokyo Dome performance. (Mie Sugiura) |
|
