1.20.16 Second LA Show Added to TOHT+More News
Jan 20, 2016 0:42:43 GMT -5
Post by tinafea on Jan 20, 2016 0:42:43 GMT -5
Second LA Show added on April 3rd, Presale Today
Onsale Dates and Times
JAN.20 WED Citi® Cardmember Presale 10:00 AM PST
Ends Thu, January 21, 2016 at 10:00 PM PST
•JAN.20 WED Fan Club Presale 10:00 AM PST
Ends Thu, January 21, 2016 at 10:00 PM PST
•JAN.22 FRI General Public Onsale 10:00 AM PST
More From Oreos
Today in #Brands: Avicii’s Coca-Cola Song vs. Adam Lambert’s Oreo Jingle
Yay capitalism!
James Grebey // January 19, 2016
If you’re reading this, chances are you’re what’s known in the business as a Consumer. And, boy, let me tell you, there are some #brands out there who would really like you to spend your hard-earned money on one of their fine products. Today, two such brands have partnered with musicians to create original songs that — they hope — might entice you to consume a Coca-Cola or an Oreo. Coke got Avicii and singer Conrad Sewell to record “Taste the Feeling,” while America’s Favorite Cookie enlisted Adam Lambert for a new jingle. Below, SPIN has put the songs up against each other to see how they stack up.
The Contenders:
www.youtube.com/watch?v=xa6mLZf5HVw
www.youtube.com/watch?v=wN0G9qdMDYI
Which Song Sounds Better?
There’s no way around it — Avicii’s Coke song is godawful. It’s the most banal, easy-listening to the point of non-existence country crooning combined with maybe two-thirds of an idea for a full-fledged Avicii track. That the lyrics are about sugar water is somehow the least offensive aspect of this agonizing, committee-approved tune. Lambert’s Oreo jingle, meanwhile, has the benefit of being shorter, and it doesn’t pretend to be a real song. It’s just a jingle, and a catchy little one at that. Light and upbeat, Lambert’s jingle sounds kinda fun in a throwaway pop kinda way.
Winner: Oreo
Which Song Is More On-Brand?
Ever since Don Draper thought up that “I’d Like to Buy the World a Coke” ad, Coca-Cola has been positioning itself as a universal beverage and a shortcut to a nirvana-like happiness. Avicii’s snoozer of a song about “tasting the feeling” touches that vague sense of happiness while also sounding old and familiar.
Oreo, meanwhile, has been positioning itself as both a classic treat that’s a throwback to childhood, and a surprisingly progressive force. They took some heat for a Facebook post in support of gay pride a couple years back, so having openly gay singer Adam Lambert represent them is another positive, inclusive step, especially since noted-ally Kacey Musgraves recorded a jingle in 2013. At the end of the day, though, both brands are delicious, ubiquitous junk food.
Winner: Tie
Which One Is More “Hip With the Youth?”
Coca-Cola describes its aesthetic as “Norman Rockwell Meets Instagram,” one part of which is decidedly not hip while the other one is the epitome of the millennial zeitgeist. Oreo’s going for a more general — if not especially outstanding — modern pop feel. Adam Lambert isn’t the biggest name in pop despite “Ghost Town” being one of the greatest songs ever written (fight me on this), but he’s still more hip than Avicii, who, sorry, peaked a while ago.
Winner: Oreo
Which Has the Most Eye-Rolling Line of Copy From the Press Release?
“‘Taste the Feeling’ will bring to life the idea that drinking a Coca-Cola – any Coca-Cola – is a simple pleasure that makes everyday moments more special.”
— Coke
“‘The mission statement really spoke to me,’ says Lambert. ‘They’re encouraging people to look at our similarities as opposed to our differences and that is in line with my philosophy.'”
— Adam Lambert, to Billboard, about a cookie.
Winner: In a sense, everybody loses, but Coke somehow looks better here.
Overall Winner: Oreo
go.spin.com/1ODTFku
ADAM LAMBERT SINGS FOR OREO IN NEW GLOBAL AD CAMPAIGN
BY JEFF BEER
Global brand director Jennifer Hull talks about teaming with Lambert, and how the brand collaborates with artists.
At first glance, the new global spot for Oreo, with its whimsical animation and get-stuck-on-loop-in-your-head-for-the-rest-of-the-day jingle is exactly what you'd expect from the cookie brand. It's simple and it fits. But as easy as that sounds, even the most casual of ad watchers knows how often brands instead opt for convoluted and crappy.
The spot launches Oreo's new "Open Up" campaign, by The Martin Agency, which is rolling out in 50 countries and aims to convey the brand's message of people opening their hearts to those different from us. It's an extension of the brand's long-running "Wonderfilled" campaign that launched in 2013. The jingle is actually sung by Adam Lambert, the latest in an impressively eclectic list of artists the brand has worked with over the years, including Kacey Musgraves, Owl City, Tegan and Sara, and more.
Of course working with Lambert also seems like a no-brainer. He's a pop star with a huge social following and fan base (not to mention he just snagged an extremely high-profile role in the Rocky Horror Picture Show remake for Fox TV), but Oreo's global brand director Jennifer Hull says that the brand's criteria for working with artists goes beyond sheer popularity.
"We look for someone who exemplifies the trademark elements of Oreo—openness, curiosity, and play—and then what their unique approach can bring to the campaign with their voice and music," says Hull. "It’s a way to keep things fresh and relevant. We were looking for somebody who embodied the inclusive spirit of the campaign, but also the lyrics and spot have a great energy about them so we wanted someone who could deliver on that energy as well. We’ve followed Adam on his incredible journey from American Idol to now, so it’s clear he has a really strong following and we’re thrilled with the optimism, hopefulness and overall energy he brings to the campaign."
Lambert told Billboard he's always wanted to work on a jingle. "It was always this fantasy—wouldn’t it be such a treat to record a song for a TV commercial?"
The agency wrote the lyrics and Hull says Lambert collaborated in the studio to bring his own take to the work. "We write the lyrics before speaking with the artists, but a lot of the collaboration happens in the studio, in this case working with Adam in how he could bring these lyrics to life," says Hull. "He brought so much to the table and really delivered what we had ultimately had in our minds."
While Lambert's version will feature around the world, in some markets the lyrics will be adapted by a local artist as well. Emerging markets have played a key role in the brand growing from $2 billion in 2011 to $2.5 billion in 2014. Oreo's Top 5 most popular markets are U.S., China, Venezuela, Canada and Indonesia, followed by UK, Mexico, Spain, France, and India.
www.fastcocreate.com/3055621/adam-lambert-sings-for-oreo-in-new-global-ad-campaign
MORE NEWS
What would Freddie do? Adam Lambert on fronting Queen and holding back
Jenny Valentish
When I'm asked if I remember where I was when news broke of Bowie's death, I'll say I was sitting at my desk, looking out at a stormy, violet sunset dissected by a rainbow, as Adam Lambert broke the news down the phone from Osaka.
I'd just asked Lambert if a lead singer could ever really be "too theatrical". That was in reference to the concerns of the American Idol judges – Simon Cowell, Paula Abdul, Randy Jackson, Kara DioGuardi – who were worried, back at his 2009 audition, that his musical theatre background rendered him too over the top.
"My favourite pop stars have always been theatrical," Lambert says. "Michael Jackson, Madonna, Freddie Mercury and, bless him, David Bowie who just passed…"
Sorry, what?
"It's unbelievable," he says. "All my friends are texting. It just happened."
Literally the minute we finish our call, Lambert will jump on Twitter and write: "I love how Bowie challenged people's perception of gender stereotypes and what an outsider truly was. He was SO ahead of his time."
For Lambert, it's personal. He has been marketed as a second-generation glam rocker, even titling his 2010 tour Glam Nation. There are also just a few degrees of separation: Lambert fronted Queen on their 2014 world tour; Bowie recorded Under Pressure with friend Freddie Mercury.
Yet Lambert's background is that of music industry factory farm, which makes striving for individuality a task against the odds. He hatched on the eighth season of Idol and his debut album with RCA/Sony was pumped full of hormones to be consumer-ready, a huge cast of songwriters, producers and session musicians all "hustling", as Lambert says, to a tight deadline.
Is he not, then, the very kind of cookie-cutter pop star that cultural commentators are condemning in the wake of Bowie's death?
"I went on that show for a chance to become an original artist," says Lambert. He'd auditioned, audaciously, with Queen's Bohemian Rhapsody. Then, in the show's finale, he and another contestant were joined by Queen's Brian May and Roger Taylor in a rendition of We Are The Champions. It cemented the band's admiration of him and led to their invitation for Lambert to front a Queen world tour, stepping into the shoes of Freddie Mercury.
"He's shaken everything up, this boy," Simon Cowell told TV Guide magazine, with uncharacteristic zest. "He's got this head of steam going."
One hundred million votes later, Lambert finished as a runner-up, but he has just ranked number one on Forbes' Top Idol Earners list, raking in $10 million in 2015. Given that he graduated from Idol six years ago, it's spreadsheet proof of his staying power.
Last year he bought his first home in Hollywood, and he's casting about for a place – perhaps New York or London – to buy another. He's not short of a few baubles, either. He has received multiple awards and a Grammy nomination. His first album, For Your Entertainment, went platinum in Australia, while 2012's follow-up, Trespassing, went to number one in the US Billboard chart.
This February, Lambert is back in Australia on his Original High Tour. This third album has a thrill-seeking theme, but he's dialled back the vocal gymnastics – now that he's got nothing to prove. Take the single Ghost Town, which went double platinum over here. It's what he's previously called an "existential dance goth rave thing", and he's singing low and urgent. "Well… until the end," Lambert says with a chuckle. "Then I really let it rip. But I have finally realised if I save those crazy high notes, and just use them here and there, they have more value."
Previously he'd had hits written for him by theatrics-lovers Lady Gaga and Pink. This time he zeroed in on the Swedish music mafia: Max Martin and Shellback, and young contenders The Wolf Cousins. It wasn't an imaginative move, but he at least enjoyed the luxury of two months writing in Stockholm, quite unheard of for an artist with one leg caught in the hamster wheel of fame. "The songs were coming from real conversations and stories," he says. "They got to know me. That's huge."
The Australian dates will have a different energy to his last visit with Queen. There'll be less galloping around the stage, for a start. "I'm not playing ginormous arenas like I was with Queen, so there's less distance to travel," he laughs, "although I definitely have some bombastic moments. I do have a Queen cover in there – spoiler alert."
Lambert enjoys seeing the whites of the audience's eyes, and has absorbed every trick in the book when it comes to making each member feel singled out. "I could say that I naturally have a certain type of intensity," he says, "and I've found that performing on stage has been the best outlet for that. In some ways I feel more comfortable on stage than I do in other social situations. Maybe it's selfish and narcissistic, but maybe I'm a little of both of those things."
Unlikely. His fans – known as "Glamberts" – tune into his disarming personality and provide gift bags of his CDs – which they call a Touch of Sparkle – to cancer patients, as well as raising hundreds of thousands of dollars for Charity: Water in his name. The generosity also flourishes on social media, where Lambert regularly highlights the goal-kicking of fellow artists, such as our own Conrad Sewell. "I like to study pop culture and look at what my contemporaries are doing," he says, "like, what's inspiring my favourite artists, and as a society, what are we responding to?"
On the flipside, reading one's own reviews means it's impossible not to measure momentum and watch out for signs of longevity flagging. "I talk to my team about that, but I've also come to understand that if I become too focused on that, then I'm missing the point," he says. "It's important to be evolving, but you've got to know who you are and what your lane is, as well.
"There have been moments over the past six years when I've found myself going, 'Oh, I might be taking this a little too seriously,' and I check myself. But I'm a fairly self-aware person. I'm self-critical. Those are good things in my line of work. Because it's not brain surgery, you know? It's a fun f---ing job. If I'm not having fun then I'm not doing my job well. Something will be missing from my performance and I'm doing the audience a disservice."
To make The Original High, Lambert first had to leave the label that snapped him up post-Idol. RCA/Sony had planned an album of new-wave covers, which would have been OK, he says, if it had been put forward as one option – but not as the only option. Concerned by their lack of imagination, he took a leap of faith, soon getting picked up by Warner.
"Part of my growing pains as a performer in my twenties was that I was scared to take certain risks," he says. "I was afraid of the what-ifs and the failure. At some point, at around 27, I had an epiphany where I thought, being scared is just holding yourself back. I was doing a lot of soul-searching, reading self-help books, going to festivals, trying new things… I just had an eye-opener."
Certainly Queen didn't want to hold back Lambert: they've postponed plans to make an album while they watch from the sidelines as he unfurls his solo career. Brian May even contributed guitar to one track on The Original High. "[It] would be so wrong, for us to just envelop him and never let him go off and do anything else," May told Gigwise, acknowledging Lambert was a "gift from God."
It had been a huge gamble for one of the world's most established bands to recruit an Idol alumnus. When Queen's 2014 tour was first announced, Lambert declared, "If there's somebody out there that feels really strongly that this isn't the same Queen then don't come." He added, "But if you don't come you're going to miss one hell of a show."
The tour eventually clocked up 66 shows and Lambert's joining them again in a few months for a European festival hit-and-run. He has relished the opportunity to unravel the meaning of Mercury's hit songs. "I wanted to understand, what was Freddie going through and what did he intend the audience to feel?" he says. "One of the things that I am really curious about is if Freddie existed in today's world, what would his personal life be like? What would he have identified as? In a way I'm trying to carry on the messages he put into his songs for today's audience, in a time when we understand more about this stuff."
If, by 'stuff', Lambert is referring to sexuality, it's a topic he can also be hedgy about. Not because he was ever trying to hide the fact that he is gay, but because in the past he has felt moved to tell disappointed fans on Twitter, "I will not be defined or victimised by my orientation … It ain't a disability." Kudos to him, in fact, for Trespassing becoming the first number one debut on the Billboard 200 album chart by an openly gay artist.
On this note, ahead of Lambert's New Year's Eve concert in Singapore, there was an attempt to block his performance, in the form of a petition that complained that he was not in line with Singaporean values.
"There was concern from a conservative moral group about what they thought I was going to do on stage, maybe based on stuff I did six years ago," he says, referring to a routine at the American Music Awards, where he kissed a man and simulated oral sex on stage. (People didn't seem to mind when Britney and Madonna similarly went at it.) Lambert's concert went ahead, but the uproar prompted one sarcastic headline: 'Entire S'pore Turned Gay After Watching Adam Lambert Perform On Celebrate 2016 Countdown Show'.
"It was hilarious," Lambert says now. "That was huh-larious."
It's this fearlessness of plucking off the head of controversy that stands Lambert in great stead, along with his unflagging amiability. He's not Bowie. Nobody is. But like Gaga or Miley, he's a rogue product of the industry who has learned how to warp the system. His next move, no doubt, will be something quite unexpected.
Adam Lambert plays the Palais Theatre, Melbourne, January 25 and 26 and the Enmore Theatre January 30 and 31.
Revenge of the nerds
There's a long tradition of musical theatre and drama schools churning out future pop stars.
Lambert is gearing up to scream "hot patootie bless my soul" for a production of The Rocky Horror Picture Show that will be screened by Fox in late 2016. He's taking the role of Eddie, originally played by Meat Loaf, while Orange Is the New Black actress Laverne Cox will play Dr Frank-N-Furter.
It marks a return to Fox for Lambert, who guest-starred on Glee. When cast member Lea Michele succeeded in getting him a cameo, she told MTV: "I feel like I'd be getting to work out at the gym with the best trainer in the world."
For Lambert, who catches shows on Broadway between tour dates, it's a dream. His mother enrolled him into a theatre group as a kid, to curtail his hyperactivity. "Discipline was a huge focus because the guy who ran it was originally a schoolteacher," Lambert says. "Having that eye on the prize, as well as the competitive aspect of it, comes in handy in the music business. To be an artist in popular music today, the work ethic required is insane."
Read more: www.smh.com.au/entertainment/music/what-would-freddie-do-adam-lambert-on-fronting-queen-and-holding-back-20160120-gm8vuc.html#ixzz3xl3rcCFb
Adam Lambert Opens Up — and Wants the Rest of Us to Do the Same
Raechal Leone Shewfelt
Writer, Yahoo Celebrity
As he performs almost nightly in his current tour, Adam Lambert’s favorite song is his latest single, “Another Lonely Night.”
“[Crowd engagement is] definitely a big part of it,” the singer tells Yahoo Celebrity. “I love the act of connecting and that’s one of the things that I love about doing live shows is that you’re really connecting. It’s a shared experience. And I think that song, it really speaks to people.”
The reason, he says, is simple.
“It’s about something that we all know no matter who you are, no matter how old or what gender you are, what color you are, whatever,” he explains. “Everybody knows what loneliness feels like. I think the genius of the song is that the lyrics are talking about being in that space, but it’s not a sad feeling song. When the chorus comes in, it’s sort of uplifting. It kind of has a groove to it, so hopefully it’s telling people, ‘OK, you’re lonely, but it’s OK, and you’re going to be fine.’”
Lambert grew up with the influence of glam rockers, such as the late David Bowie and Freddie Mercury, the late lead singer of Queen. He often tours with the British group behind “Bohemian Rhapsody.”
He knows what’s it like to be different and sometimes, yes, alone. Lambert also likes to bring people closer together with his music. It makes sense then that he is the voice singing the latest jingle for the classic indulgence of Oreo cookies and the brand’s new campaign “Open Up.”
“Their whole mission statement and the whole concept behind this ad is so in line with a lot of my philosophy,” he says. “I think they’re trying to encourage people to remember the time when they were kids … where you’re in a frame of mind where everything’s new, and I think children or a child-like mentality tends to be a little bit more open-minded [with] not a lot of biases or judgments or preconceived notions about things, and I love that. I love encouraging people to open up and to be open-minded and to be sort of optimistic. The whole campaign really appealed to me in that way. And it’s always been sort of a fantasy of [mine] to be able to like record a jingle for a television commercial. I think that was really exciting.”
(In case you’re curious, Lambert says he prefers Double Stuff Oreos, usually twisted apart and eaten one piece at a time, with milk.)
Lambert’s had a lot to be excited about in the seven years since he was voted the runner-up on the eighth season of American Idol. In addition to a Grammy nomination and a GLAAD Media Award, appearances on shows like Glee, and three successful albums, there’s the fact that Lambert landed at the top of the list Forbes made for the top-earning American Idol alums of 2015, having earned $10 million between June 2014 and June 2015.
As Idol airs its final season, Lambert has nothing but good things to say about the show that launched his career. That’s quite different than former contestant Clay Aiken, who dissed the show and blamed the judges for being boring in a series of tweets earlier this month.
While Lambert hasn’t seen the show lately — he’s been on tour in Asia since before it premiered — he hopes to continue his tradition of visiting every season since his own.
“But I got to work with those judges last year,” he notes. “The only one that I didn’t work with, unfortunately, was Keith.” Lambert filled in for Urban as a judge after the country star’s father died.
“But Harry [Connick Jr.] and Jennifer [Lopez] are lovely. I’d met Jennifer very briefly once, but didn’t really know either of them, and they were so much fun. Actually, I was really impressed with how much time and care they put into each contestant that came in and auditioned. They really care, and they had some incredible advice."
The "Whataya Want From Me” singer himself doesn’t seem to need words of wisdom from anyone else, at least not when it comes to his lucrative career. It was just announced that he’ll play the role of Eddie originated by Meat Loaf in Fox’s upcoming TV remake of the 1975 cult classic The Rocky Horror Picture Show.
www.yahoo.com/celebrity/adam-lambert-opens-up-and-wants-the-rest-of-us-115427124.html?soc_src=social-sh&soc_trk=tw
Adam Lambert Plays 'How Straya Are Ya!?'
youtu.be/Nhl4_04Ajpw
Published on Jan 18, 2016
We get Adam Lambert to spin the Warnie Wheel to choose his 'Straya questions and see if he could pass for an Aussie.
Check Out Adam's Moves During "Lets Dance" in Seoul
Note: There are some other great videos from this concert by ultratvxq
youtu.be/oYl2GOjOShs
Adam Lambert's "The Original High Tour"
If you’re looking for a ticket, don’t forget to check out the Members Only Ticket thread. There are some hot deals there.
Here is an estimate of where the tour is now and sales are strong. Not only are most venues selling very well, they have expanded the number of VIP tickets and raised the price of the TicketMaster Platinum tickets. LA and DC are sold out.
Day | Date | Location | Venue | Capa-city | Phone | Tickets Status |
Tue | Feb 23 | Huntington, NY | Paramount | 1,500 | 631-673-7300 | One seat left, GA tickets available. |
Wed | Feb 24 | Boston, MA | House of Blues | 2,425 | 888-693-2583 | No seats available, GA tickets available. |
Fri | Feb 26 | Mashantucket, CT | MGM Grand Theater at Foxwoods | 4,000 | 800-200-2882 | VIP ticket areas expanded, about 75% sold. Many tickets in balcony. |
Sat | Feb 27 | Atlantic City, NJ | Caesars - Circus Maximus Theater | 1,100 | 609-348-4411 | Entire Orchestra converted to VIP or Platinum seats ($175-$499), reg price seats in balcony. Over 50% sold. |
Sun | Feb 28 | Bethlehem, PA | Sands Bethlehem Event Center | 2,500 | 610-297-7414 | VIP ticket area expanded, close to sold out. Lots of speculators reselling these tix. |
Tue | Mar 01 | New Brunswick, NJ | State Theater | 1,847 | 732-246-7469 | VIP ticket area expanded. Tickets available in all sections except front orchestra. |
Thr | Mar 03 | New York, NY | Terminal 5 | 3,000 | | No seats available, GA tickets available. |
Sat | Mar 05 | Washington, DC | Lincoln Theatre | 1,225 | 877-987-6487 | SOLD OUT |
Sun | Mar 06 | Charlotte, NC | The Fillmore | 1,150 | 704-916-8970 | All GA, VIP still available. |
Tue | Mar 08 | Atlanta, GA | The Tabernacle | 2,600 | 404-659-9022 | GA and back upper level available. |
Thr | Mar 10 | Nashville, TN | Ryman Auditorium | 2,362 | 615-889-3060 | VIP ticket areas expanded, about 80% sold. |
Sat | Mar 12 | Hollywood, FL | Seminole Hard Rock Live Arena | 5,500 | 866-502-7529 | VIP ticket areas expanded, over 60% sold. |
Sun | Mar 13 | Orlando, FL | Universal Studios Florida – City Walk | | 407-224-4233 | From Universal Studios, with park admission |
Mon | Mar 14 | Clearwater, FL | Ruth Eckerd Hall | 2,180 | 727-791-7400 | CLOSE TO SOLD OUT |
Tue | Mar 22 | Milwaukee, WI | Riverside Theater | 2,450 | 414-286-3205 | VIP ticket areas expanded, over 50% sold. |
Wed | Mar 23 | Chicago, IL | The Vic Theatre | 1,300 | 800-514-3849 | All GA, VIP still available. |
Fri | Mar 25 | Detroit, MI | The Fillmore | 2,888 | 313-961-5451 | No seats available, GA tickets available. |
Sat | Mar 26 | Mt. Pleasant, MI | Soaring Eagle Casino Resort | 3,500 | 888-732-4537 | Not on sale yet. |
Mon | Mar 28 | Wichita, KS | The Cotillion | 2,000 | 316-722-4201 | Venue box office says about 70% sold. |
Wed | Mar 30 | Denver, CO | Paramount Theatre | 1,870 | 303-623-0106 | About 75% sold. |
Fri | Apr 01 | Las Vegas, NV | Foundry (old name: LIFE) at SLS Hotel | 1,800 | 702-761-7080 | Mostly GA, tickets available. |
Sat | Apr 02 | Los Angeles, CA | Orpheum Theatre | 2,000 | 877-677-4386 | CLOSE TO SOLD OUT |
*****
Adamtopia Calendar
The full calendar is located here: adamtopia.com/calendar
“The Original High” Tour - Part 1
Jan 22, 2016 Town Hall Auckland, New Zealand
Jan 25, 2016 Palais Theatre St Kilda, Australia SOLD OUT
Jan 26, 2016 Palais Theatre St Kilda, Australia
Jan 28, 2016 AEC Theatre Adelaide, Australia
Jan 30, 2016 Enmore Theatre Newtown, Australia
Jan 31, 2016 Enmore Theatre Newtown, Australia
Feb 2, 2016 World Famous Rooftop 92.9 FM promo concert, Perth, Austrailia
Feb 11, 2016 Redfest DBX Dubai
Mar 13, 2016 Universal Studios, Orlando, USA
Check the Adamtopia Calendar for the rest of the tour dates.
*****
The Adamtopia guidelines are quite simple. To be a member of Adamtopia...1. You must be an Adam fan.
2. You must be respectful of other members. Feel free to express your opinion, but be glitterier and golden.
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4. Never question anyone's right to post, the appropriateness of a topic or define the proper way for an Adam fan or Adamtopia Member to behave. Let the moderators do their job.
More rules will be added if the need arises but, if everyone follows these rules, we will not need a lot of rules.
*****
Happy Birthday
katjuska!!
Happy Birthday
katjuska!!