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Post by toramenor on Sept 13, 2014 3:29:26 GMT -5
Your poem echoes for me thoughts I had while flying home, watching snow streak past the light from the engine outside my window like tiny comets or large electrons ... earlier, before the sun had set and the snow set in, we'd had a gorgeous view of quilted farmland out the window and I was suddenly struck anew by the preposterousness of airplane flight, of how one is suspended like that in mid-air in several tons of metal, but also suspended between one Here and another Here. It's a liminal space that I love ... I love being on bridges for the same reason, and in waiting rooms. Here's a poem I wrote that I thought originally was just about getting lost (I have NO sense of direction), but turned out to be about my love of those neither-here-nor-there places: DreamscapeIn this dream the wind is strong but warm and I am lost as usual. I am lost so often it’s become another kind of home, a place to rest while the wind pushes the landscape past. I love bridges, too: both for the obvious symbolism of connecting two sides and because I love water. [My love affair with water runs deep (pun intended ) and exists on many levels.] Plus, I've always lived in places that lie on pretty big rivers, with bridges that are as necessary as they are beautiful. I love the dreamscape of your poem, especially the last image of the wind pushing the landscape past. I don't know if that was your intention, but that image reminds me of the Buddhist philosophy of Impermanence. Are you familiar with it? Briefly, it states that life is like a dream, nothing is permanent. On the subject of getting lost, I think getting lost is a matter of perspective. If you are traveling from point A to point B and you get lost on the way, you are bound to be frustrated if all you can think about is how you need to be at point B. But, if you change your perspective, and decide there can be many paths to point B, then you are not lost: you are merely following a non-linear path. It's not always easy to change your perspective like that, (especially if you're running late for an appointment), but if you do, a whole new world could open up - one that you might have missed otherwise. Some of the more interesting things in my life happened to me when I got off the beaten track. Literally. I often get lost, even when I have maps, but I always discover that there is an adventure in getting lost if I'm prepared to trust that I will get to point B eventually and just let go of the stress that comes with not knowing exactly how to get there. It is said that people fear what they don't know; but I like exploring things I don't know - entering the unknown is the birthplace of art and science. I often say of myself: I have the brain of a scientist and the soul/heart of an artist. The unknown is therefore a challenge to be accepted, and not something to run away from. Like I said in my poem: What is there beyond the horizon? I need to know. It is the explorer in me, saying: Let's find out! It's why I can easily get lost even with a map. It's not because I can't read a map; it's because, deep inside, I just want to discover if there's another way to get from point A to point B. And I find that there always is.
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mirages
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Post by mirages on Sept 13, 2014 13:33:22 GMT -5
I love bridges, too: both for the obvious symbolism of connecting two sides and because I love water. [My love affair with water runs deep (pun intended ) and exists on many levels.] Plus, I've always lived in places that lie on pretty big rivers, with bridges that are as necessary as they are beautiful. Interesting ... you highlight the connecting aspect of bridges where I seem to be focusing on the disconnection, the neither-here-nor-thereness of being on them, the transition state they represent. The cool thing is how the same image can say both things at the same time. Bridges are also moments of suspension, of being held in the air but also of being suspended between two places and possibilities. I used to live in Vancouver; lived in Kitsilano and worked downtown. I got to walk home every day over the huge sweeping arc of the Burrard Street bridge with the busy-ness of the day behind me, tumult of traffic to my left, the prospects of the evening before me but to my right as I walked, this gorgeous expansive segull-height panorama of city, mountains, inlet and ocean beyond. Glorious. And water, especially moving water -- yeah, that's life, can't live without it. I've moved inland and used to really miss the rhythm of the ocean, but have now fallen in love with the river that runs through my city. I'm very aware that creativity wants to run through us like a river, too, and that when we're not letting it move through and out of us it backs up and grows stagnant ... it's why I'm trying to re-establish a daily practice of writing, since that seems to be my primary outlet. toramenor said: I love the dreamscape of your poem, especially the last image of the wind pushing the landscape past. I don't know if that was your intention, but that image reminds me of the Buddhist philosophy of Impermanence. Are you familiar with it? Briefly, it states that life is like a dream, nothing is permanent. mirages' reply: Oh, now you've got me! "Shogyo-mujo"/"nothing is constant; everything changes". Yes! I've done some Zen sitting and am especially drawn to mindfulness practice. Buddhism has SO much to offer western minds, and you touch on it in what you said below: toramenor said: On the subject of getting lost, I think getting lost is a matter of perspective. If you are traveling from point A to point B and you get lost on the way, you are bound to be frustrated if all you can think about is how you need to be at point B. But, if you change your perspective, and decide there can be many paths to point B, then you are not lost: you are merely following a non-linear path. It's not always easy to change your perspective like that, (especially if you're running late for an appointment), but if you do, a whole new world could open up - one that you might have missed otherwise. Some of the more interesting things in my life happened to me when I got off the beaten track. Literally. I often get lost, even when I have maps, but I always discover that there is an adventure in getting lost if I'm prepared to trust that I will get to point B eventually and just let go of the stress that comes with not knowing exactly how to get there. mirages' reply: Yes, and thank you! I knew there was something I loved about being lost and about being "between" and it's exactly what you describe here, and it's very the Buddhist solution to suffering, which is to detach from the need to have specific outcomes or have things stay the same, and to live only in the Now, which so far as I can tell is also our experience of eternity and/or the kingdom of heaven. Isn't it astonishing how hard we have to fight just to stay present? There is so much, really a whole philosophy of life, in your paragraph above. I practice it intermittently ... it is awfully hard not to get attached to one's ideas of how things should come out, how we want life to be for us, especially when we're heavily invested. I see that in the fandom -- so much of the BSC comes, as Adam says, "from a good place," from hearts that adore Adam and want what's best for him -- but they overlay that ardour with a Plan and an Outcome and then become very upset when events unfold and people behave otherwise. Adam himself has a wonderful (magical, really -- I want to get back to your thoughts on magic one of these days) ability to be fully present in the moment and in his singing and I think that may have something to do with the intensity of his fans' response to him. It almost certainly has a lot to do with the intensity of joy he seems to experience and transmit onstage. Yikes, gotta go -- loving the conversation, though!
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augenpoesie
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Post by augenpoesie on Sept 14, 2014 14:44:17 GMT -5
mirages - I found this scene in a dried out puddle. It rained for days before and this was the first beautiful day with sunshine - which is always a wonderful opportunity to take pics, because nature looks so clean and fresh then The flower was already on the ground, I think maybe a child put it in there? The scene looked so beautiful and special that I had to take the pic. I decided to reduce the photo to b/w and heighten the contrast because I thought it looked best graphical and plain. In photography there are 2 kinds of photographers: the planners and the snappers. I know photographers who plan a single shot for days, some even for months and I admire them for their patience. But that's so NOT me I develop my pics spontaneously and with only a vague idea in my head. For me photographing is a creative process and I often find myself lying on the ground taking mushroom-pics when my first idea was taking big landscape-panoramas. But this spontaneity is the part that I like best .... I'm in love with photographing and I am a lucky, LUCKY girl that I can earn a living with it (2 of my 3 jobs involve photography)
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mirages
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Post by mirages on Sept 15, 2014 14:13:55 GMT -5
mirages - I found this scene in a dried out puddle. It rained for days before and this was the first beautiful day with sunshine - which is always a wonderful opportunity to take pics, because nature looks so clean and fresh then The flower was already on the ground, I think maybe a child put it in there? The scene looked so beautiful and special that I had to take the pic. I decided to reduce the photo to b/w and heighten the contrast because I thought it looked best graphical and plain. In photography there are 2 kinds of photographers: the planners and the snappers. I know photographers who plan a single shot for days, some even for months and I admire them for their patience. But that's so NOT me I develop my pics spontaneously and with only a vague idea in my head. For me photographing is a creative process and I often find myself lying on the ground taking mushroom-pics when my first idea was taking big landscape-panoramas. But this spontaneity is the part that I like best .... I'm in love with photographing and I am a lucky, LUCKY girl that I can earn a living with it (2 of my 3 jobs involve photography) augenpoesie, thank you for this reply, and for telling us a little more about your own process. I hadn't really thought about ways of approaching photography but it does make sense that there would be "planners" and "snappers" (and one photographer might style-shift between the two, depending on the circumstances, too). Both will no doubt create art, but the process and the experience of the process would be so different, I'd think. It reminds me a little of what a friend of mine, a water-colour painter, told me once. He said that the medium of water colours had chosen him and it was ironic because he saw himself very much as a control freak, but with water colours you can only lay the colours down more or less where you want them to go, and then let them move and shift, let the paper buckle a little here or there creating patches of more and less intense shading ... it requires a lot of letting go, and a lot of curiousity and trust about what the final product will be like. I love the image of you belly-down in grass or daisie's (like chapf's smilie of you), nose to nose with toadstools or blossoms or the tracks of a bird in the sand. I think the whole idea of "flow" is so interesting, too -- it's another of those paradoxes that seem like signposts on the way to Something Really Good, something nondual and essential, because in my own experience, when I'm in the flow of writing or creating something, I am at once completely lost, forgetting myself, and yet also never more myself.
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mirages
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Post by mirages on Sept 15, 2014 14:27:36 GMT -5
On the subject of getting lost, I think getting lost is a matter of perspective. If you are traveling from point A to point B and you get lost on the way, you are bound to be frustrated if all you can think about is how you need to be at point B. But, if you change your perspective, and decide there can be many paths to point B, then you are not lost: you are merely following a non-linear path. It's not always easy to change your perspective like that, (especially if you're running late for an appointment), but if you do, a whole new world could open up - one that you might have missed otherwise. Some of the more interesting things in my life happened to me when I got off the beaten track. Literally. I often get lost, even when I have maps, but I always discover that there is an adventure in getting lost if I'm prepared to trust that I will get to point B eventually and just let go of the stress that comes with not knowing exactly how to get there. It is said that people fear what they don't know; but I like exploring things I don't know - entering the unknown is the birthplace of art and science. I often say of myself: I have the brain of a scientist and the soul/heart of an artist. The unknown is therefore a challenge to be accepted, and not something to run away from. Like I said in my poem: What is there beyond the horizon? I need to know. It is the explorer in me, saying: Let's find out! It's why I can easily get lost even with a map. It's not because I can't read a map; it's because, deep inside, I just want to discover if there's another way to get from point A to point B. And I find that there always is. Hello again, toramenor. I wanted to come back to this because it opened up my poem about being lost and yet at home in a new way for me. I knew I had a deep sense of satisfaction about that poem (although it's a small and plain thing) and couldn't figure out why, but what you wrote here opened it up for me: what so pleases me about it is that it expresses one of those blissful moments of unclenching from our own expectations and hoped-for outcomes, and a relenting to the present moment, the experience of living Right Now. So thank you for showing me that!
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mirages
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Post by mirages on Sept 15, 2014 15:20:26 GMT -5
I am enjoying reading everyone's thoughts about boxes, poetry, and magic! I wanted to offer a few thoughts about magic -- in regards to Adam. Remember when Adam gave his monologue before "A Change is Gonna Come" at The Music Box at the end of the Glam Nation tour? He spoke about how there are always people out there who can give you a list of reasons of how unworthy you are, and how you need to change yourself, and how "you're never gonna fuckin' make it." In Adam's reply (words and song and attitude) was a kind of manifesto, words to live by. One of the things I love about Adam is how he has never failed to live up to his principles. He has had many opportunities to sell out in the four years since then, and still you often see calls for him to do so. Yet never once has he failed himself. Though we wouldn't know it for another year, when the Queen + Adam journey really began at the EMAs, out there Adam had an unlikely but perfect match. Two old guys who were constantly bombarded about their own unworthiness. At best, they were long past their shelf life, the critics said. At worst, money-grubbing oldsters without the wit to realize no one wanted to hear them anymore. But like all great artists, Brian, Roger, and Adam failed to respond to the voices. Instead, all responded to a deep inner voice that told them how strong and brave they could be. Because failure was a possibility. What if the critics were right? Did anyone else hold their breath when the tickets for this tour went on sale, hoping the boys knew what they were doing? Somehow, for great artists, the future never stops glowing with possibility. It would have been the path of least resistance for Brian and Roger to live in the past as far as their music is concerned. Accept what the voices said about embracing their past hurt and pain, or contenting themselves with memorializing their past glories and accomplishments. But the truth is that there are ghosts who we may love but can no longer be part of who we are. You can remain in the past among those lost souls whose best years are behind them, or move forward to explore what life has to offer now. As for Adam, there was any one of a hundred ways he could have choked on this collaboration! There are those who follow the numbers and believe there is a formula for success, a way to build a Frankenstein's monster in a great lab in some studio. If only we could find it! Maybe those people are even right. But Adam is not one of those people. For him, there's something magic in our dreams, the creative power of the imagination, and the deeper vision of who we can be. Has Adam not been telling us this from the beginning and continued to tell us this from every platform he gets? The real magic is hope within our own hearts and souls. I have been wanting to get back to this post ever since you wrote it, juniemoon, but I've been living in "interesting times". Today, though I have a breather -- yay! You wrote: But like all great artists, Brian, Roger, and Adam failed to respond to the voices. Instead, all responded to a deep inner voice that told them how strong and brave they could be. Because failure was a possibility. What if the critics were right? Did anyone else hold their breath when the tickets for this tour went on sale, hoping the boys knew what they were doing? Oh yeah, that would be me here, holding my breath, shoulders up under my earlobes. I was so afraid the response would be tepid at best and they would be humiliated by laclustre sales, half-full venues and the invective aimed at them by the media and even by their own fans. It was a big summer for legacy acts -- how were they going to be able to fill stadiums with only half their original members and a guy from a reality show fronting? How brave did Roger and Brian have to be to sign Adam on with Queen, really, after their own very public disapproval of televised singing competitions? How brave did Adam have to be to say Yes, and then to walk out in front of a quarter of a million people in his very first full-length show with them? All of these guys had to have learned a long time ago to listen more closely to their guts and to the promise of joy and fun and making something excellent, than to the people who were sitting back comfortably, risking nothing, and daring to judge them. I was so thrilled when the shows started selling out so fast -- incredulous, to be honest, and thrilled. And then when I went to my first show and the music lifted the roof off the place and you could lean in hard to the joy and the excellence they were putting out, and Adam was belting out the songs holding nothing back and everybody, musicians and crowd alike, had these HUGE grins, all I could think was, "Thank goodness Adam got to do this. He was born to do this." I don't mean to limit Adam. He has his own career and his own music to make. But it was very, very good to see him able to give everything he had as a singer and performer and have it be enough to fully inhabit the huge theatrical and musical architecture Queen created. He totally and more than fulfilled the promise he showed on Idol and as far as I'm concerned, everything else is gravy. But I bet that's not Adam's POV. I bet he's thrilled with what he got to do and how well it succeeded, but I don't think he's spending very much time thinking about it, other than to be very glad it worked out and has now left him with more fans, more cred, and more of a financial buffer from which to work on his own music. Great position to be in, and well earned. As you said here and even more directly in a more recent post in the daily news thread, I do think Adam wants to be more than a pin-up for us; I think he does want to inspire people to be, as he might say, whoever the fuck they really are. I like what you say above about how great artists seem to be more transfixed by the glow of new possibilities than they are afraid of how they might fail. I spend way too much time thinking about the latter, and it makes me risk-averse (not long after Idol, I printed out a meme somebody made with a pic of Adam performing overlaid with words of his: "Life is all about taking risks to get what you want." Really? And here I've been going along as if life were about risking very little in order to maintain the illusion of safety!). This morning I was walking with my 14-year-old son, who was feeling poorly and sounding a lot like Eeyore, and I said that I knew that some days it felt all nice and warm and quiet at home and it's hard to convince yourself it's a good idea to go Out There. "Yeah," he said. "I was all warm and quiet at home, and nobody was judging me. School seems all about getting judged!" And don't we, most of us, internalize that so deeply? And then you see somebody with balls of steel like Adam and you see how darned much FUN he has, and you think maybe there are better things than being warm and quiet at home.
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nikki
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Post by nikki on Sept 16, 2014 22:45:23 GMT -5
How wonderful to read everyone’s thoughts in these pages and the lovely discussions. I loved reading the poetry and learning some more about people here that I'm not so familiar with yet, so hello to iris, nocturnal, rosepetal and toramenor. I’ve been immersed in Queen + Adam this last month, and truthfully have not felt like coming out of the water too much until now. I’ve found some of the photography, in particular, from the concerts quite mesmerising. So augenpoesie and chapf, I really appreciate your visual creativity here as well. Here’s one my friend took, where I just love the soft golden glowing light - it felt quite magical: At my first concert, I had the pleasure of meeting Roy, and I felt a few pangs of jealousy that he travelled the world following the concerts. I know nothing about him, really, but I felt that longing to be free in that way, just to do as I pleased for an extended time, rather than in short bursts. My life is one of incredible privilege compared to ninety-five percent of the world’s population, and I did feel quite ashamed of myself that enough didn't seem enough. Another reminder of the danger of comparison and looking outward, and another exercise in self-discipline and gratitude. Mindfulness was mentioned later in this thread, so yes, again, constantly. If it’s ok, I’d like to go back to my initial conversation with mirages and just finish off a few thoughts before moving on. For me, every single aspect of being a fan is weird -- I've never been one before and it makes me feel a little ridiculous (okay, very ridiculous), but one of my mid-life lessons seems to be about taking myself a whole lot less seriously and loosening up enough to let fun in, not to mention owning who I really am rather than who I think other people want me to be. So, as it turns out, Adam is a great role model. I think, in part, we are made to feel ridiculous and we have internalised why, and others have done so as well. And unlike Adam, and for women in particular given our socialisation, it can take a long time to master the art of, I don’t care what you think. The experience of fandom for young and adolescent girls is analysed in patronising terms as primarily a safe psychosexual phase that will and ought to be ‘grown out of’ or normed and controlled into an appropriate expression for adult women. Therefore it is seen as regressive and pathologised in older women, no matter what the basis of attraction is for each individual as young women or as adults. Women are also made impassive in this view, being the subject of and (sexually) manipulated by more powerful males both on and off the stage to the point of loss of control – hence all the descriptors and judgement of hysteria, obsession and losing our minds. A more empowering view is that women young and older simply like the exhilaration of being free – to scream if they want, dance, let go and have fun, feel sexually excited in a way that can’t be controlled by others, fantasise. I have rarely seen fandom analysed so condescendingly for young men in general – their experience is validated simply because it is male, in a way denied to us as the 'other' – identification needs etc are being met if the fandom is for a sport (for older men and women as well) and it is otherwise quite ok for men in any context if it is a pop/rock star or band. What’s also interesting is the reaction of my friends to my ‘fandom’ over time. When it first began, my sister absolutely understood and validated me – to the point of encouragement. Like you mentioned, she was happy to see more fun in my life, rather than such a focus on fulfilling responsibilities. My other very close friends were also initially very supportive, but not to the point of encouragement. I’ve never had a habit of discussing Adam very frequently with them, but they pretty much shut down my excitement over the recent concerts, probably because they thought I would have/should have outgrown such ‘adolescent’ displays by now. And it was the women, rather than the men. It hurt, because I thought they understood better. Actually, I've been struck again and again by how similar fandom is to a religious movement -- the early ecstatic phase, the formation of communities, then the emergence of schisms and of rules of how to do it right and the accusations that others are doing it wrong, and especially the assumption of the faithful that they KNOW what their prophet or hero or deity thinks, means and would want.
And then there's the hero's journey stuff, too ... following Adam introduced me to Katy Perry who introduced me to Russell Brand, and although that man would scare the hell out of me if he were to saunter into my living room, I enjoy his psycho-spiritual-political polemics ... his recent "Messiah Complex" monologue was an extended riff that reminded me at times of Beat poetry readings, and a pretty profound (and funny) meditation on who we choose as heroes, and why. Yes. I also think those phases can apply to any search for connection with something greater than ourselves, looking within or outwards and to finding answers to our own internal puzzles. I’ve experienced it in political movements and other idealistic or esoteric paths I’ve travelled over the years. I really appreciate comedians – the modern court jesters who won’t lose their heads for telling the truth. I also loved Russell's choice of heroes – they would all have been included on my list. I saw Chris Rock a few years ago and two of his major themes are racism and sexual politics. I can remember sitting there thinking, “You’re not going to say that, you’re not going to say that!” and yes, he did and it was thrilling, just as thrilling as when Adam speaks without his ‘filter’ sometimes. His monologue on a white person’s right to use the ‘n’ word was quite brilliant. Sometimes getting to the point where we laugh at ourselves and our flaws is a very effective confrontation strategy. Many of my friends have used that tactic with me over the years and I find it much easier now to look at myself with humour, kindness and gentleness. It makes it easier to change as well, rather than battling through the tension that comes with the more critical voice that I internalised from my childhood. The hero’s journey is a powerful inspiration. So too is the power of the muse. I relate to Adam more from a muse perspective; there is something about marvelling at some unattainable heroic characteristic that ought to be worshipped that doesn't ring true for me with Adam. The muse, like Adam himself is about inspiration as a vehicle to attaining our own inner mastery and expression; it is a statement of fundamental equality and I believe he very consciously wants to interact with people in this way. Nikki, that's where I think I may diverge on this issue -- I totally get what you're saying about a sense of discomfort when I give "businessman Adam" (because there definitely is one of those) the ability to influence my actions or expression of my opinions. But I'm not sure if his favouriting of mys*&@^#r's tweet was the businessman Adam as much as just-Adam who obviously couldn't have been more happy and excited about the duet, finding a fairly discrete way to say it was a downer to see his fans saying negative stuff about it. He has the right to express his opinions, and why wouldn't he have opinions about whether his fans are making him look good or bad? What makes it seem more business-model-y was Shoshana also endorsing the tweet. We’re probably not disagreeing. I have no doubt that Adam’s personal values aligned with his business interests in this case and that he really does want to act with integrity across all planes. It’s just that I have worked in roles in very large and profitable companies where I’ve sat round the table, often with organisation psychologists and listened to debates centred on increasing customer and employee ‘engagement’. Really, it is all about overtly manipulating the best aspects of human nature and I couldn’t stomach it in the end. I’ve also met Adam twice. The first time he was rushing and running behind time after doing a TV interview before his concert. He was lovely and he made the experience lovely, but he was in business mode, even though he still genuinely seems to like to meet new people. He's not a saint and did nothing wrong. The second time, there were no time pressures, he was very relaxed, his eyes and gaze were relaxed and you knew you were talking to an intensely sweet and astonishingly open human being for a couple of minutes. I’m not naïve about business and I understand that he needs to flourish on this level as well, but I am idealistic about him and I simply want to quarantine the artist and human being because that is what is so precious to me. This is now a very long post – much longer than intended – so I’ll come back to other topics a bit later. juniemoon, when I read that your new business was off the ground and running and that you are well on the way to living how you imagine, I was so thrilled and happy. I know that it is not easy, requires bravery, and I’m so glad that it is happening for you.
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Post by rosepetal on Sept 18, 2014 14:17:01 GMT -5
I have been enjoying all the conversation here bur RL has gotten in the way of me having time to join in. Today was a big day for me and it kind of goes along with our previous discussion of being lost. Today was the first time we were allowed to tour our new facility 4 years in the making. I wrote this poem several years ago at a time when I felt really lost. Today most of those feeling have subsided, but it is my profound belief that that I would not have been able to adjust as well if not for my family, friends and Adam, each were with me daily in my heart and mind. Here is the poem followed by an explanation of why I wrote it. I would like to say I don't think it is my best work and maybe not the type of poem that has great meaning to others but to me it says so much.
When normal goes away How does one move forward when normal goes away, When heart home and landscape are forever changed, Do you wonder blindly, afraid to face to dawn Looking without reason for what is simply gone. Or do you move swiftly, putting grief away Riding on sorrows wings in search of yesterday, Or do you look in wonderment at faces with no names, Strangers who can’t understand but none the less they came. Or perhaps you look inside yourself, where comfort once had lain Where tragedy is just a word and sanity remains, And would you find it waiting there, the strength to overcome The fortitude to carry on, no matter damage done, For there’ll be no map to follow, no lamp to light your path No beacon there to guide you, in the aftermath. But there will be shock, disbelief and horror on your mind Emptiness you can’t forget, and solace you can’t find There’ll be no answers waiting, in the rubble that remains For when nature is the one to call there is no one to blame. There’s only time, and time roll on regardless of your loss Caring not for broken worlds or bridges left uncrossed, So in closing I should tell you that each must find their way, For I too am sorely lost since normal blew away,
On May 22 2011 at 5:42 PM, an EF5 tornado cut a 13 mile path through my home town, Joplin MO. It claimed 161 precious lives, destroyed 8500 homes and businesses, including the high school several grade schools and St. John's hospital. We were very lucky we live just outside of town and didn't lose our home but many of our friends and coworkers lost everything. The bodies of one of our friends and his 2 children we're found in then cab of his truck, they had gone to buy a light bulb. I could go on with sad accounts but it is not necessary, I'm sure everyone has seen the pictures of recent storms on TV. I only hope no one has been in one has been in one of those storms. I was a 20 year employee of the hospital, it's funny how a building can means so much to a person, to a community, to a way of life. Anyway, the poem was a way of expressing how I felt so I wanted to share it with you. The new hospital will open in March 2015. I am thankful for that and for all those who helped me through this including our sweet Adam,whose sprit gave me solace, encouragement, and hope in one of many trying time.
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Post by toramenor on Sept 21, 2014 6:40:21 GMT -5
mirages and nikki talked about fandom, so I'll give my 2 cents. I've never been a "true fan" of anything or anybody. Fan is short for fanatic, after all, and so I'm not surprised that you've likened fandoms to religious movements. Any sort of fanaticism, religious or otherwise, is very restrictive and so it awakens my inherent need and desire to reject it as I reject all dogmas. There should be a distinction in the mind between "following something/somebody blindly without question" (which is fanaticism), and "appreciating something/somebody as a kind of mirror for yourself". If you like one artist, but dislike another, this does not make the two artists better or worse - they are still who they are, and their work is still what it is - but it could tell you a lot about yourself: about your mind, your tastes, your life perhaps. It can be used as a mirror to see yourself and learn more about life in general. They say you should not argue about tastes. There are certain types of food I dislike immensely. This does not mean those foods are bad or harmful; there are plenty of other people who love eating them. So, my dislike does not say anything about the object of my dislike, but it does say something about me. It all comes down to perception again. We all perceive things differently. And because of that, no two people are precisely the same, so even the wisest of wise and the best of the best is a matter of perspective.
I could definitely name a lot of wise, inspiring, talented, etc. people whose work or achievements or words have affected me in one way or another, but I still don't consider myself to be part of their "fandom", --(no, not even Adam Lambert, even though I'm a member of this site, and even though I like him a lot)-- I take what they can "teach" me without worshipping them or trying to emulate them. Other people's wisdom (and when I say wisdom, I also mean talents, skills, etc.) may open our eyes to all the possibilities, but we shouldn't emulate them. We should simply take in what they have to offer, until we discover for ourselves that anything is possible. This realisation must come to us in our own time, on our own terms. Sometimes, we are not ready to understand it and even if others tell us it is so, it will not matter, for we need to discover it on our own. And that discovery is our life's journey. Thus it is always unique. I may respect Gandhi (I use him as an example, since I've quoted him in my signature), but I do not wish to be him. I may enjoy Adam Lambert the singer and the entertainer, but I do not want to be him either. I may love to read a lot of different writers, but I do not want to be them, even though I want to be a writer. I want to be myself. More than that, I can only be myself.
That sounds so simple, and yet I find a lot of people are struggling with it. They try to copy others, those they admire, without thinking why they are doing so. If I see someone wearing a pair of shoes, am I going to buy them because they're in fashion and the person wearing them is a celebrity, or am I going to ask myself: are those shoes really right for me, do I really like them, am I willing to spend money on them? Maybe it's easier to fit in (whether that means wearing fashion or doing what your friends and family like or approve of or expect you to do), but who said life is supposed to be easier or harder? Life is supposed to be you being yourself, and whether that proves to be easier or harder than you thought, is again a matter of perspective. Easier or harder than what? Other people's lives? What makes you think you know what goes on inside the minds of other people? - you can't possibly know how hard or easy they have it (unless they tell you, but even then they may not be truthful or able to explain themselves fully). Comparing yourself with other people is pointless, and it can also give you a lot of pain and stress, especially if you convince yourself there is a "right" way to live. The bottom line is, there is no right or wrong way to be yourself. If somebody, therefore, tries to tell me how I should be, what I should feel, think or do, my response is: "let me decide for myself".
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Post by toramenor on Sept 21, 2014 6:59:55 GMT -5
When normal goes away How does one move forward when normal goes away, When heart home and landscape are forever changed, Do you wonder blindly, afraid to face to dawn Looking without reason for what is simply gone. Or do you move swiftly, putting grief away Riding on sorrows wings in search of yesterday, Or do you look in wonderment at faces with no names, Strangers who can’t understand but none the less they came. Or perhaps you look inside yourself, where comfort once had lain Where tragedy is just a word and sanity remains, And would you find it waiting there, the strength to overcome The fortitude to carry on, no matter damage done, For there’ll be no map to follow, no lamp to light your path No beacon there to guide you, in the aftermath. But there will be shock, disbelief and horror on your mind Emptiness you can’t forget, and solace you can’t find There’ll be no answers waiting, in the rubble that remains For when nature is the one to call there is no one to blame. There’s only time, and time roll on regardless of your loss Caring not for broken worlds or bridges left uncrossed, So in closing I should tell you that each must find their way, For I too am sorely lost since normal blew away,
rosepetal, this is a powerful poem, and I will not attempt to analyse it, I'll just say: thanks for sharing it with us. True artists always wish to share their art and that spirit of sharing is what I love. We all write with an audience in mind, even when we write down our private thoughts. Sharing ourselves is a way to connect to others, I think, but it is, more importantly, an expression of self and that is a beautiful gift to the world - the only one, really, we are able to give.
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