2.16.15 Adam News and Info, concert reviews, more news
Feb 15, 2015 23:14:18 GMT -5
Post by Q3 on Feb 15, 2015 23:14:18 GMT -5
Photo in banner from @bytromborghviid
#queen i #boxen, med #adamlambert i front,- fantastisk!
This is a Google translation of a Danish concert review.
Queen + Adam Lambert
Jyske Bank Boxen, Herning, Sunday. 15 February 2015
GAFFA | Reviewed by Espen Strunk
Monday. 16-02-2015 at. 01:57
A kind of magic: Impressive revival of the classic Queen catalog
At the risk of wear holes in an already polished a little cliche, one can hardly ignore that tonight's session belongs to the year's most anticipated rock concerts here at home. 24 years after we lost the amazing frontman Freddie Mercury to AIDS comes (the remains of) Queen hesitate to visit: There is a full house in Herning tonight.
And judging by the expectant atmosphere among the more than 15,000 attendance suffered for eight, it does not rise to the great concern that it is a 33-year-old former "American Idol" Participate as if some should try to lift the heavy legacy from Mercury.
At 20:02 the lights are dimmed and a nesting wall of sound begins to rise behind a giant white stage curtain adorned Queens familiar band emblem. At 20:09 you can hear an electric guitar being struck behind the curtain.
Four minutes later begins a smårastløst audience to applaud the familiar rhythm to the 1977 classic "We Will Rock You" in rhythmic impatience. At 20:18 shoots a column of smoke rising from the advanced mini scene the end of a long ramp out in the crowd. And then it all starts.
Enthusiastic showman
"One Vision" was replaced by "Stone Cold Crazy" opens the party and no, the musical-trained Lambert is not a Mercury: He is a technically skilled singer, bargain suitably flamboyant homosexual and appearance. An enthusiastic showman, as well. But Mercury's special blend of thinly veiled vulnerability and rocking brawn - the sheep tonight we are only in the few moving passages where video clips with Mercury on the big screen is incorporated into the performance.
For a show it - and a highly entertaining and engaging one of its kind, immediately added. For when the introductory paragraph is in place, you have to actually give the English reviewers right: Lambert not only shoulder the task - he adds just the new millennium Queen the vitaminindsprøjning and the young blood of the former Free & Bad Company frontman Paul Rodgers After all, did not succeed in his time as Queen vocalist.
Costume shifts are countless underway; from leather jacket with gold rivets of tight red checkered pants in long leather boots to leopardplattet suit and royal crown - and the "Seven Seas of Rye" slouches Lambert is affectionately on a divan on the protruding podium, while May performing.
For we lack Mercury, looks and sounds May in return just like themselves. the characteristic curly toupee was white, but his face strangely unchanged. And more importantly: He mastery still the electric guitar with the same pompous authority, as in the band's heyday three or four decades ago.
A kind of magic
We get a long concert - almost two and a half hours - and the band is only hotter and hotter as it progresses. "I Want to Break Free" includes Mays first regular royal solo; Since follows several more in among others "A Kind of Magic," the drummer Roger Taylor for a while - and a bit fragile - takes the vocal lead.
Not to speak of in the long instrumental course along the way, not least the two remaining members of the original group is allowed to unfold extensively on their instruments.
So facing Lambert back, and "Tie Your Mother Down" is allowed to usher concert last quarter, where quite heavy artillery pulled forward in the form of "Radio Gaga," "Bohemian Rhapsody" and finally the encore "We Will Rock You" and " We Are The Champions, "while gold confetti raining down from the ceiling and enthusiasm in the hall will never end.
It is now 38 years ago, Queen promised that they would rock us in the primal effective song of the same name. Tonight in Herning fulfilled the incredibly lifted once more - and it is probably also a kind of magic, in a sense.
Link: gaffa.dk/anmeldelse/92432
This is a Google translation of a German concert review.
He has a “golden glittering organ”
CONCERT REPORT | 13 February 2015 -Schleyerhalle, Stuttgart
Queen + Adam Lambert = royally.
I eagerly was like a horse in front of the royal carriage, if it would work with Queen and Adam Lambert. And yes, it does!
It's Friday eight clock. The long sold out Schleyer Halle is still lit up. The stage is hidden behind a huge cloth with the tour logo. A golden-lined ridge like a tip extends into the audience and opens into a round pedestal. Also on the sides of the main stage are mounted higher, golden Podestchen. Good conditions for audiences near and movement on stage.
It sounded muffled guitar sounds that would probably announce the arrival of a UFO in a Hollywood blockbuster and lie like a rug over the crowd. Insecure clapping and whistling. We go now? The music fades to start it again later in a similar manner. This game continues for the next twenty minutes. The Clap & whistling louder again. Nothing happened, but all seem focused and wait for the big bang. If the tension makes the same similar curves with the protagonists on the stage, which is a good evening.
Mist rises. What drama. Nothing. Again fog. Light. Smartphones.
The silhouette of a man behind the curtain. A bang. The curtain disappears abruptly. On the now brightly lit stage is a gray belockter, dressed in black, Brian May and leaves the opener fingers over the strings slide center stage deafened the whole wrapped in white Roger Taylor on his elevated by a pedestal drums, while in skin-tight leather outfit appearing Adam Lambert with his powerful voice blares us the words of One to answer vision. Lambert and May the song and play Riffbälle to just so ahead of Taylor's voluminous drum sound. What a start. What a sound. What a stage set. What a production. Over the heads of the protagonists of a giant screen ellipse below the hall ceiling, which transmits the performance on the stage to the last row and, in conjunction with the audience projecting ridge an oversized Q. The hall is raging.
Lambert welcomes Stuttgart with "All my fat ass bitches" and forward gallantly into Fat Bottomed Girl. May brettert an equally thick riff on the guitar, the first of many strings breaks. With a new look, Lambert wearing now with gold fringe edged Westernarmstulpen and plateaus, this warbles on a pink sofa lolling Killer Queen. Now he turns to the Stuttgart audience. "Thank you for giving me a chance tonight. It is seeking to honor to play with synthesis gentleman." He recalls on to the person whose place he is allowed to take today. "Let's celebrate Freddy, let's break free! ". The name says it all. With Somebody To Love Lambert can his vocal power and - present wide so right. To treble without losing Operesk strength.
After the personal "Hallöle" Welcoming the audience who now seated with his twelve string acoustic guitar on the rondel May sings along with several thousand Stuttgarters Love of my Life. Goosebumps. Freddy appears on the screen and sings. 39 shows how cross-generational Queen with her music people reached and still reach. After the introduction of the band and the Taylor sung Days of our Lives and A Kind of Magic it's a flurry of events in the middle of the audience: A grouviges bass solo on electric and electric double bass and a drum battle between Taylor and the young drummer that has washed up, lead to Under Pressure in which all the protagonists are gathered on stage again. In Who Wants To Live Forever will settle down a disco ball, May gets into a stunning guitar solo sounds from his instrument that one stays away the spit in Another One Bites The Dust can Lambert continued circling the hips and concise in the collective a capella takeoff I Want It All culminates in thunderous drums, strings and buzzing frantically cheering Stuttgart. While Radio Gaga Lambert handshakes picks in the front rows and after May's question: "What do you think of the new guy" warm applause. The golden glittering organ comes at Crazy Little Thing Called Love used to effortlessly 'reached at the Lambert`s voice the deep tones of Elvis, which report illustrates his vocal range again.
And since it's the song that Lambert then interpreted on American Idol and if not the funkiest composition of the Royal British who makes old and young, and united front of the stage and clearly the highlight of the evening: Bohemian Rhapsody, which Lambert and on the screens appearing Freddy Mercury duet and which is supported by magnificent play of light in the hall and musical on stage. Queen leave to thunderous applause the stage, the more the assimilates to the rhythm of We Will Rock You.
The drums rise again, the complete drum riser rises and falls Lambert majestically in golden leopard dress and crowned sparkling like a young monarch again on the stage and in the subsequent HeWhoCannot ameds We Are The Champions further on. The audience is located singing in the arms and the artists on stage at your feet. All happiness of the last two and a half hours open with a bang in a sensual explosion of golden confetti, which is now pouring over the intoxicated and hocheuphorisierte audience.
Simply cover, grin and fall asleep now.
Link: translate.google.com/translate?hl=en&sl=de&tl=en&u=http%3A%2F%2Fwww.kulturpegel.de%2Fkonzert%2Fqueen-adam-lambert
Brian May talks about Adam Lambert’s Queen transformation: ‘He’s really evolved, hugely’
February 15, 2015 by Something Else!
When Brian May peers over at Adam Lambert on stage with Queen, singing Freddie Mercury’s songs, he sees someone making a similarly transformational journey.
Anyone who’s followed Queen knows the band evolved from a harder-edged rock focus into one of the more entertainingly complex groups of the rock era — a shift that paralleled that of the once-painfully shy Mercury. By the time Queen made the big time, Freddie Mercury was ready for his moment in the spotlight. He’d become one of music’s most dynamic frontmen.
Adam Lambert, May says, is doing more than echoing Mercury’s vocals. He’s following the same path.
“Adam has really transformed, I must say,” May told muzyka.onet. “And, he shares that with Freddie. Freddie was always good, but he transformed himself from a singer who could do this or this into this really sort of god-like performer. Adam is the same. He’s really evolved, hugely. He’s much more comfortable in his shoes. He’s much more confident with an audience. In fact, it is like he was born to it. He’s grown into the part.”
Queen is in the midst of a final series of European shows, appearing today at Herning, Denmark. Appearances in Prague, Zurich, Krakow, London, Liverpool and Sheffield follow through the end of February.
Link: linkis.com/somethingelsereviews.com/JSaym
Is Adam + Brian’s Improv turning into a song?
2.16.15 by Q3
It started off so small. A little tiny bit on stage. Then it got longer, more complex.
Here is the latest improve from Herning, Denmark.
youtu.be/eYRgEic737Y
It is starting to get magical. Is that because they sang it in a decapitated pyramid?
esctips.com/wp-content/uploads/2013/06/denmark-boxen-arena1-620x330.jpg
The MCH Arena in Hernin, Denmark.
It started off so small. A tiny bit on stage, Then it got longer, more complex.
And now I just want to listen to the all in a row.
Cool video
ScubaDan's slow motion video of the curtain going up in Franfort.
www.facebook.com/video.php?v=10152575869047793
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Adamtopia CalendarQUEEN + ADAM LAMBERT – 2015 UK and EUROPE TOUR
CONCERTS START AT 20:00 LOCAL TIME
Tue 13 January NEWCASTLE Arena SOLD OUT Attendance: 9,500
Wed 14 January GLASGOW Hydro SOLD OUT Attendance:
Sat 17 January LONDON O2 Arena Close to SOLD OUT
Sun 18 January LONDON O2 Arena Close to SOLD OUT
Attendance to the two London O2 shows: Queen + Adam Lambert O2 Arena London, U.K. Jan. 17-18, 2015 $3,300,140 33,003 /34,093 2 / 0 $1,365.68, $74.35
Tue 20 January LEEDS Arena Very close to SOLD OUT, tickets for a few seats were not sold.
Wed 21 January MANCHESTER Arena SOLD OUT
Friday 23 January BIRMINGHAM NIA SOLD OUT
Sat 24 January NOTTINGHAM Arena SOLD OUT
Mon 26 January PARIS Zenith Close to Sold Out.
Thu 29 January COLOGNE Lanxess Arena SOLD OUT attendance around 15,500 (press report)
Fri 30 January AMSTERDAM, Ziggo Dome SOLD OUT
Sun 1 February VIENNA Stadhalle Close to sold out, attendance 10,500 (press report)
Mon 2 February MUNICH Olympiahalle Very close to sold out, attendance over 12,000 (press report)
Wed 4 February BERLIN O2 Very close to sold out
Thu 5 February HAMBURG O2 SOLD OUT
Sat 7 February FRANKFURT Festhalle SOLD OUT
Cancelled: Sun 8 February BRUSSELS Palais 12 SOLD OUT/will not be rescheduled
Tue 10 February MILAN Forum SOLD OUT
Fri 13 February STUTTGART Schleyerhalle SOLD OUT
Sun 15 February HERNING Jyske Bank Boxen SOLD OUT, attendance over 15,000 (press report)
Tue 17 February PRAGUE O2 - very limited
Thu 19 February ZURICH Hallenstadion
Sat 21 February KRAKOW Kraków Arena
Tues 24 February LONDON Wembley SSE Arena SOLD OUT
Thurs 26 February LIVERPOOL Echo Arena SOLD OUT
Fri 27 February SHEFFIELD Motorpoint Arena SOLD OUT
April 2015: Adam first TOH single will be released.
Summer 2015: Adam's Third Studio Album, "The Original High" will be released.
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