rad1109
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Post by rad1109 on Aug 1, 2011 15:14:29 GMT -5
Has anyone subscribed to Spotify? If so, do you know if the only way to stream to/from my phone is to pay for a subscription? Thanks! if this has not already been answered the answer is yes to stream from your phone ,you will need to subscribe have been a subscriber for past 2 years ,i love it Thanks! I love it on my computer so may subscribe.
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Post by lifeguard on Aug 1, 2011 15:16:17 GMT -5
Ya think some AFL fans are sending him some great concert vids by now?! Didn't Kris open for Barenaked Ladies at one point? I wonder if that was a tease and/or baiting tweet. He did, so I guess it was supposed to be funny. Hope no one went totally berserk, but do hope he was sent hundreds of videos. Once again we see that sarcasm doesn't translate well on Twitter.
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Post by cassie on Aug 1, 2011 15:20:15 GMT -5
Was talking with another Atopian earlier today. We were remarking on how deeply emotional OoL was, and wondering how he could be that immersed in the emotions and still be able to sing at all. When I get emotional, my throat and chest seize up, and I CANNOT sing a note. Adam seems to have this knack for simultaneously digging into a deep emotional place, while part of him remains on the outside to monitor the performance, the technique, and the audience. As Kanadie pointed out, his many years in theater serve him well in so many aspects.
Then, this afternoon, I was watching a reality cooking show. One of the contestants got choked up while presenting her food and talking about her memories of her Dad. She got thru it, and left the sound stage. Then, the judges discussed her performance. They said that while it is important for a performer to be "real" and tap into emotions, if they start to cry, the audience suddenly feels like it is their fault. The audience feels responsible in some way for making the performer cry. One commented, "I don't want to feel the responsibility for her emotions."
I thought the point of view was insightful. A performer must find that very delicate balance of exposing themselves, evoking emotion in others, while maintaining the control to keep performing without "dumping" their feelings onto the shoulders of the audience. It's good to be able to make members of the audience cry with deep feelings. It's not necessarily good to break down in front of the audience. The first is cathartic in releasing the audience's feelings. The latter can make the audience feel tense and uncomfortable, wanting to console the performer. Does that make any sense?
Adam is adamazing!
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tigerlily
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Post by tigerlily on Aug 1, 2011 15:21:12 GMT -5
lets hope casual fans of adam don't get tired of his media blitz when it happens. IMO big difference between a well conceived media blitz to coincide with the release of an album and oversaturating the market over the long term. Adam would have to be on my teevee every day for three years to reach Gaga levels of overexposure. Plus tour constantly, take no breaks between albums, and release a new single every month which gets overplayed right along with all the other eleventy million singles. I'm the most casual of Gaga fans and she's everywhere I turn- I can't imagine how the hard core keep up. It's really not a life I would wish on Adam. There's more to him than that and I think he puts a great deal of effort into his attempts to remain balanced and fulfilled. IMO Gaga could learn a lot from him. I don't think we have to worry about Adam getting the same level of promo that Gaga received, because very few entertainers come close to those levels of Worldwide attention and media. Adam will get his fair share, because like Gaga the media loves to interview him and have him on their shows. Love her or hate her- she garners attention. Adam is in the same type of situation, (on A MUCH smaller scale) he gets so much attention due to the fact that he is polarizing. The last thing you want as an entertainer is for everyone to feel indifferent towards you.
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ljsmack
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Post by ljsmack on Aug 1, 2011 15:21:26 GMT -5
I'm not an expert, but I think the bridge is the distinctive section between the last verse and the chorus; called the bridge cuz it connects.
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Post by SusieFierce on Aug 1, 2011 15:23:04 GMT -5
susiefierce, could you explain this bridge talk 'plaintive wail'. I'm interested cause I'm thinking you're talking about OoL and the bridge? Am I right? See momtomany's post. We were discussing the other day if OoL needs a bridge or not, since it doesn't seem to have a traditional one. I've been listening to it A LOT and had been thinking same thing that momtomany said, that the section where he just vocalizes toward the end – the AAaahhhAAAhhhaaahh and then comes back to the chorus at the end serves as a musical bridge without lyrics. And a plaintive wail is a good way to describe that vocal – kind of sad and yearning "wail."
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Post by rihannsu on Aug 1, 2011 15:23:11 GMT -5
OK, to try and clear up all the confusion over this conference room tweet message lets look at this more carefully. I don't know who brought the tweet over but it seems that there has been the usual confusion over who is sending the tweet and who is getting it, etc. This was the tweet: stylesd1 Dustin Adam Lambert in our conference room @tdstew @samanthasloane sender = stylesd1 sent to @tdstew and @samanthasloane There isn't a bio on stylesd1 twitter but just perusing the past tweets I come to the conclusion that Adam was in a conference room wherever this person works. I couldn't really come to any conclusions about where that might be from the last 20-30 tweets. The @tdstew person may be involved in the music industry in some way judging by some of that persons last tweets. But I think in this instance just happened to be a friend of stylesd1. Likewise with samanthasloane. So basically some random person of no consequence happens to work somewhere Adam happened to be today and tweeted it out to a couple of friends. Even if you don't have a twitter account you can view these things yourself. Just type in twitter.com/ and then the name(without the @)such as stylesd1 and it will bring up that persons page and you can read all of the tweets they have sent out. If you type the name in the search box at the top of the twitter page it will give you all the tweets with that name in them so you will see theirs as well as the ones being sent to them. While no of this tells us who stylesd1 is or where he works it will hopefully clarify things a bit as to who is saying what. This has been my PSA for today, thank you for reading along. ;D ;D ;D ;D
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Coconutgrove0
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Post by Coconutgrove0 on Aug 1, 2011 15:25:48 GMT -5
susiefierce, could you explain this bridge talk 'plaintive wail'. I'm interested cause I'm thinking you're talking about OoL and the bridge? Am I right? See momtomany's post. We were discussing the other day if OoL needs a bridge or not, since it doesn't seem to have a traditional one. I've been listening to it A LOT and had been thinking same thing that momtomany said, that the section where he just vocalizes toward the end – the AAaahhhAAAhhhaaahh and then comes back to the chorus at the end serves as a musical bridge without lyrics. And a plaintive wail is a good way to describe that vocal – kind of sad and yearning "wail." Thank you for a very clear explanation
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Post by gelly14 on Aug 1, 2011 15:27:22 GMT -5
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Post by lynneville on Aug 1, 2011 15:28:43 GMT -5
I started a mediafire folder with mp3 files from the St Agathe concert. I'll finish it later this evening: www.mediafire.com/?1icpftcg9k9bmI wrote instructions on how I make a dvd with DVDFlick which I never posted because I was going to try to do a better job of writing, but I'll post it anyway when I get back later. Someone with more technical writing talent than I can clean it up if they want to!
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