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Post by kanadiebonttell on Mar 9, 2011 23:06:51 GMT -5
I am chiming here to agree.. there's too much melody line to actually change without some sort of electronic distortion. I am tending to go with the theory that this is one of the musical variations Adam cut for possible use on the recording. Adam tweeted earlier to credit Howard Benson on vocal production, so I think you are right that this was a different recording of the song. adamlambert Adam Lambert keep requesting #AftermathRemix! (props to Howard Benson for orig vocal production) 6 hours ago Just my humble 2 cents on the subject of Howard Benson vocal production. When an artist like Adam that has unlimited range and a vast pallet for vocal phrasing embellishment is in the recording phase of a song, the producer &/or artist will usually record a variety of different vocal tracks, so when they are doing the final mix of the song, they can choose what feel/vibe the want the song to have. When Adam contracts someone to do a remix of his music, they will be supplied with all or most of the tracks so the remixer will be able to have the full pallet of tools/tracks available to create there "magic". So when Adam credits Howard Bensons vocal production, the vocal tracks we hear on the remix where recorded and produced by Howard during the FYE recording, so Billboard used some vocal tracks that where available to him that weren't used on the FYE version of Aftermath because Howard chose to take the FYE version in a different direction. Sorry if I was rambling or that did not make any sense! LOL  |
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Post by maria222pf on Mar 9, 2011 23:08:19 GMT -5
I hope Adam is never in the position that he has to resort to singing idiotic songs written by Kesha. "Now that I'm famous you're up in my anus" An example of her brilliant lyrics, and I don't give a F**k how many record she sells, that is bubblegum pop, very little talent required, every song sounds the same. She has written a song for Brittney Spears, who is desparate for a comeback, so no surprise there. Get the hits while they're hot suckers. It is obvious that Adam is striving for longevity , respect in the industry , and an album that he states will be honest and open about his life experiences. Why would a true fan recommend that he would sell-out to songs like Keshas just to get hits on the radio. I hope Adam writes an album that he feels from his heart, and if it does not sell millions like the shit that Kesha (and many others) spew out that is okay by me.  :D Love your passion, #teamnoke$halyricsforadam |
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Post by nica575 on Mar 9, 2011 23:08:20 GMT -5
I am really off on my twitter prediction. I said August! I was too optimistic with the last guessing and now this time I was too pessimistic. Maybe we'll have a 1.5 million prediction and I'll get that right! That's why I said July. I too was overly optimistic on our last preditcion. So, I used my optimism, this time, then added a month! Even if I had said June, I'd be off! Hey! I said end of July - and I am so very happy to be wrong! As a matter of fact - this time - THE WRONGER THE BETTER!!!! ;D ;D ;D ;D |
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Post by Deleted on Mar 9, 2011 23:09:58 GMT -5
elizalynn, check your PMs, please.
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animated
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Post by animated on Mar 9, 2011 23:10:02 GMT -5
I love the 1:05 mark. Might be my favorite part of the whole song! ETA: BTW, is there a link to the song on page one or just the interviews? With headphones on, drink on hand, the 1:05 was the part I least liked... the backing vocals were kicking in and Adams vocals were mixed with someone else's... either the mix needed some adjustment ..or the other vocals do not seem to mesh well ... . well it's just me... but I am no music expert... overall I love the remix better than the one on the FYE album.... and I am glad this song has the chance to be enjoyed by many as the lyrics are very relevant .... very meaningful..... |
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Post by evergreen on Mar 9, 2011 23:10:59 GMT -5
Adam tweeted earlier to credit Howard Benson on vocal production, so I think you are right that this was a different recording of the song. adamlambert Adam Lambert keep requesting #AftermathRemix! (props to Howard Benson for orig vocal production) 6 hours ago Just my humble 2 cents on the subject of Howard Benson vocal production. When an artist like Adam that has unlimited range and a vast pallet for vocal phrasing embellishment is in the recording phase of a song, the producer &/or artist will usually record a variety of different vocal tracks, so when they are doing the final mix of the song, they can choose what feel/vibe the want the song to have. When Adam contracts someone to do a remix of his music, they will be supplied with all or most of the tracks so the remixer will be able to have the full pallet of tools/tracks available to create there "magic". So when Adam credits Howard Bensons vocal production, the vocal tracks we hear on the remix where recorded and produced by Howard during the FYE recording, so Billboard used some vocal tracks that where available to him that weren't used on the FYE version of Aftermath because Howard chose to take the FYE version in a different direction. Sorry if I was rambling or that did not make any sense! LOL It makes PERFECT sense!! |
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Post by Deleted on Mar 9, 2011 23:11:29 GMT -5
Adam tweeted earlier to credit Howard Benson on vocal production, so I think you are right that this was a different recording of the song. adamlambert Adam Lambert keep requesting #AftermathRemix! (props to Howard Benson for orig vocal production) 6 hours ago Just my humble 2 cents on the subject of Howard Benson vocal production. When an artist like Adam that has unlimited range and a vast pallet for vocal phrasing embellishment is in the recording phase of a song, the producer &/or artist will usually record a variety of different vocal tracks, so when they are doing the final mix of the song, they can choose what feel/vibe the want the song to have. When Adam contracts someone to do a remix of his music, they will be supplied with all or most of the tracks so the remixer will be able to have the full pallet of tools/tracks available to create there "magic". So when Adam credits Howard Bensons vocal production, the vocal tracks we hear on the remix where recorded and produced by Howard during the FYE recording, so Billboard used some vocal tracks that where available to him that weren't used on the FYE version of Aftermath because Howard chose to take the FYE version in a different direction. Sorry if I was rambling or that did not make any sense! LOL That's what I thought too, Kanadie. I mentioned it way, way back in the thread, but it's buried now. I don't think Adam rerecorded any of the vocals. |
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Post by kanadiebonttell on Mar 9, 2011 23:13:13 GMT -5
Just my humble 2 cents on the subject of Howard Benson vocal production. When an artist like Adam that has unlimited range and a vast pallet for vocal phrasing embellishment is in the recording phase of a song, the producer &/or artist will usually record a variety of different vocal tracks, so when they are doing the final mix of the song, they can choose what feel/vibe the want the song to have. When Adam contracts someone to do a remix of his music, they will be supplied with all or most of the tracks so the remixer will be able to have the full pallet of tools/tracks available to create there "magic". So when Adam credits Howard Bensons vocal production, the vocal tracks we hear on the remix where recorded and produced by Howard during the FYE recording, so Billboard used some vocal tracks that where available to him that weren't used on the FYE version of Aftermath because Howard chose to take the FYE version in a different direction. Sorry if I was rambling or that did not make any sense! LOL That's what I thought too, Kanadie. I mentioned it way, way back in the thread, but it's buried now. I don't think Adam rerecorded any of the vocals. Exactly, they always existed, but where never used on the version we knew from the album. |
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Post by momtomany on Mar 9, 2011 23:14:47 GMT -5
Adam is playing with my mind.
I'm not so young; so, sometimes I hear what I want to hear; sometimes I hear what I need to hear.
Wanna say? Wanna stay? Wanna play? What I say? One day?
And, at the end . . . one love?
Does it matter?
I'm dancing in the dark, tonite. I know nothing of 'remixes' or how it's done; or club dances, or club beats - - - but I sure hear the beat in this song.
I hear, above all, the voice. Asking if I could rewrite the role I 'play'. 'Play' has taken on a new meaning - having heard it sung so tenderly.
Smitten again.
I came here after work - fifty pages already!
You people are fucking amazing.
I just have to join the party for a moment - before I turn out the lights and listen to him sing, again.
I love "choir Adamtopia". Voices honest - of every timbre, soprano and alto; low and reassuring; sharp and seeking; full of resonance; a tenor - maybe new, tentative - still finding the key; the notes; the rhythm. Vibrato; straight tone - raspy or clear; but always pure.
This is music.
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aloha
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Post by aloha on Mar 9, 2011 23:15:04 GMT -5
Just my humble 2 cents on the subject of Howard Benson vocal production. When an artist like Adam that has unlimited range and a vast pallet for vocal phrasing embellishment is in the recording phase of a song, the producer &/or artist will usually record a variety of different vocal tracks, so when they are doing the final mix of the song, they can choose what feel/vibe the want the song to have. When Adam contracts someone to do a remix of his music, they will be supplied with all or most of the tracks so the remixer will be able to have the full pallet of tools/tracks available to create there "magic". So when Adam credits Howard Bensons vocal production, the vocal tracks we hear on the remix where recorded and produced by Howard during the FYE recording, so Billboard used some vocal tracks that where available to him that weren't used on the FYE version of Aftermath because Howard chose to take the FYE version in a different direction. Sorry if I was rambling or that did not make any sense! LOL That's what I thought too, Kanadie. I mentioned it way, way back in the thread, but it's buried now. I don't think Adam rerecorded any of the vocals. No, it makes perfect sense, There were several of us who came to the same conclusion. I thought at first Adam had rerecorded the track, but then changed after several good arguments were put forth. Kanadie, thanks for your very good explanation! |
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:D Love your passion, #teamnoke$halyricsforadam 
