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Post by Q3 on May 7, 2012 21:14:37 GMT -5
This thread is for track #12: Outlaws Of Love
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Post by Deleted on May 9, 2012 10:19:06 GMT -5
I hesitate to say this because my heart is so happy and upbeat now but...I am not a big fan of Outlaws of Love on the album. I LOVE it acoustic, and especially at St. Agathe, but the tenderness is gone for me on the album. It almost comes across as soothing to me when it should be raw. I am really disappointed since I thought this song was so powerful.
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Post by bertiebotts on May 16, 2012 10:40:38 GMT -5
kay, I agree with you. The first live version of it at ST. Agathe is one of my favorite performances ever and some how I can't find the same power on the album. I still like the lyrics and all.
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Post by lambo on May 16, 2012 11:50:10 GMT -5
Album > Q-Snowcase > Ste Agathe for me.
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Post by durberville on May 16, 2012 14:01:16 GMT -5
I hesitate to say this because my heart is so happy and upbeat now but...I am not a big fan of Outlaws of Love on the album. I LOVE it acoustic, and especially at St. Agathe, but the tenderness is gone for me on the album. It almost comes across as soothing to me when it should be raw. I am really disappointed since I thought this song was so powerful. OMG....I feel the very same way! In fact I replaced the album version with the St. Agathe version on my Trespassing playlist.
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Post by Deleted on May 19, 2012 13:30:55 GMT -5
OUTLAWS OF LOVE by Adam Lambert Outlaws of Love: the soundMany critics, reviewers and fans have rightfully predicted that this haunting ballad will become an anthem for the LGBT community. Hopefully, other communities/ people will realize its broad message and find comfort or inspiration in it as well. There hasn't been a single review which didn't praise Outlaws of Love; even the ones who sneered at the 'dark' side of Trespassing and generally disliked its confessional ballads were very positive towards it. Please, those of you who still haven't found a place in your heart for this song, take a look at this beautiful vocal analysis of OOL, written by Angelina Kalahari, a lyric soprano opera singer. It will take your breath away. Here is a piece of it. I find these words very true and close to my heart: I feel this song will change the way non-fans perceive Adam Lambert – not only the over-the-top, make-up wearing, campy, sexy singer with the great voice, they must now learn to appreciate, too, the serious artist, as his fans has known him to be, from the beginning.
And thirdly, this song is a departure from anything Adam has sung before, and shows how far he has come in his artistic development and song-writing skills. This song is truly a piece of art.Here is the link: soundbath.wordpress.com/2011/09/15/adam-lambert%E2%80%99s-%E2%80%9Coutlaws-of-love%E2%80%9D/Outlaws of Love: the wordsThe lyrics of the song are simple, clear in their message and universal in their meaning. Adam himself has referenced Romeo and Juliet, Thelma and Louise, Johnny and June... as outlaws of love and he was right: take any real or fictional couple who met obstacles on their love's journey and OOL could be their song. But, there are a few lyrics which particularly strike me as the most powerful and pregnant with meaning: Hey, tears all fall the same we all feel the rain we can’t changeAlthough the song can be universal from the viewpoint of love and emotions, this outcry for equality makes it even more timeless: the division of mankind is as present today as it has always been. Jew/ Christian, black/ white, gay/ straight, Northern/ Southern, poor/ rich... you name it... these divisions have started wars and taken lives. Some battles have been fought and won, but some have not... the one for which Adam is such a strong spokesman is still ongoing. The social relevance and importance of this battle is enormous and Adam fights it in the best way he can: with his music and lyrics and voice. Back to the lyrics: this is not the first time Adam has drawn from literature for inspiration and reference. The outlined lyrics are just his way to portray this idea of equality, the fact that we're all the same. This is how Shakespeare did it in 'The Merchant of Venice', where he conveyed the same idea through the mouth of Shylock, the Jew: I am a Jew. Hath not a Jew eyes? Hath not a Jew hands, organs, dimensions, senses, affections, passions? Fed with the same food, hurt with the same weapons, subject to the same diseases, healed by the same means, warmed and cooled by the same winter and summer, as a Christian is? If you prick us, do we not bleed? If you tickle us, do we not laugh? If you poison us, do we not die? The same idea. The same concept. The strong urge that Adam feels as a gay man to say that he is no different from the straight people just because he loves another human being who happens to be a man. His sexuality is not the reason which should set him apart from other people: his intelligence, talent and kind heart are and do. It is very disturbing to know that this wonderful person feels like he is being discriminated against. ( Which he is). The similarity to 'The Merchant of Venice' does not end there. There are not such references in OOL, but, as it is a song about LGBT community, I have to point out that the play also alludes to the corporeal conundrum that weaves through Shakespeare's “transvestite” comedies where boy actors playing women cross-dress as men in dazzling doubles acts that offer up a spectrum of flexible sex-gender identities, confounding the body's “truth.” Also, 'The Merchant of Venice' is a homoerotic play, but the homoerotic implications are conveyed rather indirectly, with special attention placed on Antonio's character and his loving friendship with Bassanio. I don't know if Adam had this famous Shylock's speech in mind when he wrote the lyrics of OOL, but I want to believe he did. And I want to tell him that he fights his battles elegantly, smartly and intelligently. There is no doubt in my heart or mind that Adam is playing a major role in this ongoing struggle for equality and that he will end up being a winner in the end.
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Post by Deleted on Jun 4, 2012 17:32:03 GMT -5
EvokeOnline: The first song from the album to be teased was the show-stopping “Outlaws of Love”. Adam made jaws drop at one of his concert stops with the song that deals with gay marriage and equality. “Tears all fall the same” is a line that sums up the meaning for the track. The songwriting may be the most important aspect of the track, “they say we’ll rot in hell, but I don’t think we will” had me shedding tears from anger and sadness. evokeonline.com/music-review/adam-lamberts-trespassing-track-by-track-review/
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irish1139
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Post by irish1139 on Jun 4, 2012 18:52:38 GMT -5
AleksandraKv, who are you really? Such brilliant, thoughtful, insightful commentary. You give me goosebumps up and down my arms when I read your words.
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Post by Deleted on Jun 5, 2012 8:53:27 GMT -5
(Moved from the Adam Musings thread) This is the Outlaws of Love blog originally posted on ALFC on August 1 and that I read on Angela Kalahari's program webcast on September 15, 2011. Why I Love Outlaws of Love Mon, Aug 1, 2011 at 10:39 AM Like most fans here, I was enraptured by Outlaws of Love. Tears were streaming down my face as Adam worked his magic with a song so simple, but deeply devastating in the best possible sense . This song is what some music writers call “cathedral work,” a song that resonates as though in a soaring nave, drawing attention to the emptiness that surrounds it. The performance was amazing. The persona he presents to us is that of a simple man pleading for nothing more than basic decency. Yet it seems an act of extraordinary courage. This is a man who is willing to break for love, but not entirely. His voice captures this tension, the hurt informing the artistry, the artistry refining and elevating the hurt. We can respond to the sensitive instrument of Adam’s voice as well as to the individual drama, the story of lovers hounded by an unnamed “they” who deny people their most full-blooded possibilities. The music breathes, rises and falls on its own, transcends autobiography or politics (such interpretations explain little and hardly matter). A straight person accepted everywhere can be as touched by the depth of feeling of this song as much as someone chewed up by rejection and discrimination. The performance is a remarkable portrayal of love, anguish, and yearning, delivered with maturity, restraint and excruciating regret. Few performers in pop music would have been able to pull off such an unpretentious, vulnerable, honest song, and fewer still would even want to. I’m still thrilling just over the last note, exquisitely fashioned and heartbreakingly upward. He and his lover are running towards a dead end that they can see but not change. But just when we are about to succumb to despair, Adam’s voice takes us higher, telling us that this love of his will go on and on. We know, at least, that the lovers will not have to face their tormentors alone. We feel strangely hopeful that they will make it after all, that somehow it is all worth it. Adam turned a fairground into a cathedral Friday night and filled it with a hymn of loneliness, told the truth and trusted us, his fans, to listen. What an honor. What an album of integrity and power we have in store.
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Post by Deleted on Jun 6, 2012 3:30:59 GMT -5
Thank you , Irish and Juniemoon!!! AFTERELTON: 12. OUTLAWS OF LOVE "They've branded us outlaws of love." If it's not the best song on the album, it's certainly the most important. Quieter Adam is always goosebump-inducing, and this plea for equality is heartbreaking in its sincerity. Best Lyric: "Tears all fall the same" Read more: www.afterelton.com/music/2012/05/adam-lambert-trespassing-review?page=0%2C1
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