|
Post by rihannsu on Aug 19, 2014 19:38:51 GMT -5
I think it's George opinion that Adam's too "queenie". He didn't even said anything about PH, which in my opinion's the queen of queenie. But we just need to put Adam's picture next to George and we will see who's the queenie.. LOL.
Howard actually takes up for Adam by joking that he knows for a fact that Adam is hung. But overall that part of the show was just a silly game and I cannot take anything said very seriously. I don't take the comment as a diss. George was clearly emphasizing all through that he likes musculature. His type is beefcake and so I took the "too Queenie" comment as referring to "type". It doesn't matter what "type" George might be described as because they are talking about what George is attracted to not what he is. Adam is not the six pack abs, beefcake type gay man. He is more queenie in type than what George was steering towards. As for PH I think George was extremely turned off by that suggestion given what I could hear of his voice but he couldn't say much at that point because Howard kept talking over him every time he tried to say something.
|
|
|
Post by adamrocks on Aug 19, 2014 19:41:51 GMT -5
|
|
|
Post by Q3 on Aug 19, 2014 19:42:08 GMT -5
The article on the sound engineering was fascinating - what I understood of it. It answers so many of my questions about Adam and his constant communications with his sound guy. That he is very exacting, that he has such a dynamic voice that it requires constant adjustments to the sound mix, that he moves around so much that the sound has to be tweaked, that he has very specific requirements for what he hears in his monitors, etc. It was also interesting to know this guy has been with him for a long time, so those rumors of Adam being a bully with the sound personnel and driving them off must not be true (or this guy is a masochist). The guy seems to enjoy the challenge of working with such a talented and exacting singer who requires the very best in him. I think Adam did go through several sound techs during the first part of Glam Nation. I think there was an especially big melt down at Mandalay Bay if I remember correctly. The FOH listed in the Glam Nation DVD booklet is Kirk Shreiner and monitor engineer is James Berry. This would be who had those positions for that show. I think Gary may have started later in the tour or maybe even not till the WAG tour. The company was Clair Brothers audio. I think I remember something about them having to send out a higher up to take over but don't remember if we ever really knew anything specific. I am glad to hear that Adam now has someone who has had time to get to know him specifically and if he can keep him that will only get better as time goes on. Adam went through a few sound engineers during the GNT. And he is very particular -- that is not a rumor and not a bad thing. Many artists are very demanding of their engineers -- as they should be. Queen has always been very particular -- particularly Brian. When I pay and take the time to go to a concert, I want to hear Adam singing, not just hear the bass and drums. I do not believe Adam worked with Gary during GNT.
|
|
|
Post by adamrocks on Aug 19, 2014 19:45:37 GMT -5
|
|
|
Post by nica575 on Aug 19, 2014 19:48:06 GMT -5
so, how does pouring an ice bucket over yourself generate donations?
Is the assumption that if Adam does it I'll donate and if he doesn't I won't?
|
|
Deleted
Posts: 0
Location:
|
Post by Deleted on Aug 19, 2014 19:53:25 GMT -5
The article on the sound engineering was fascinating - what I understood of it. It answers so many of my questions about Adam and his constant communications with his sound guy. That he is very exacting, that he has such a dynamic voice that it requires constant adjustments to the sound mix, that he moves around so much that the sound has to be tweaked, that he has very specific requirements for what he hears in his monitors, etc. It was also interesting to know this guy has been with him for a long time, so those rumors of Adam being a bully with the sound personnel and driving them off must not be true (or this guy is a masochist). The guy seems to enjoy the challenge of working with such a talented and exacting singer who requires the very best in him. I think Adam did go through several sound techs during the first part of Glam Nation. I think there was an especially big melt down at Mandalay Bay if I remember correctly. The FOH listed in the Glam Nation DVD booklet is Kirk Shreiner and monitor engineer is James Berry. This would be who had those positions for that show. I think Gary may have started later in the tour or maybe even not till the WAG tour. The company was Clair Brothers audio. I think I remember something about them having to send out a higher up to take over but don't remember if we ever really knew anything specific. I am glad to hear that Adam now has someone who has had time to get to know him specifically and if he can keep him that will only get better as time goes on. Since he also works with k d lang makes me wonder if there is a DMG connection somehow. Maybe they recommended him or something. He certainly has fewer sound issues now than he used too.
|
|
Deleted
Posts: 0
Location:
|
Post by Deleted on Aug 19, 2014 19:55:36 GMT -5
so, how does pouring an ice bucket over yourself generate donations? Is the assumption that if Adam does it I'll donate and if he doesn't I won't? You make a donation signafied by pouring the bucket of ice water over yourself and invite others to do the same. That is the challenge dump and donate. Each challenge widens the pool of donors.
|
|
|
Post by Buderschnookie on Aug 19, 2014 19:57:05 GMT -5
Wish it went more slowly...
|
|
|
Post by adamrocks on Aug 19, 2014 19:57:34 GMT -5
Ivon Lambert @ivonlambert 8h . @adamlambert @drbrianmay Still couldn't believe I survived from the rain, crowd pushing, and made it to the front pic.twitter.com/635iKnMTo6
|
|
|
Post by evergreen on Aug 19, 2014 19:59:40 GMT -5
Wish it went more slowly... Me, too - but go to the site - shows each year in a chart so we can look as long as we like!
|
|