suzie12
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Post by suzie12 on Sept 13, 2014 13:06:23 GMT -5
PS I wrote my post at the same time Aleks posted, so not a response to that post! (admit to being in the impatient camp, just was commenting on timing)
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Post by Deleted on Sept 13, 2014 13:17:54 GMT -5
PS I wrote my post at the same time Aleks posted, so not a response to that post! (admit to being in the impatient camp, just was commenting on timing)  Impatient camp? I'm more on a batshit crazy camp, really:) I have absolutely no doubt in my mind that if everything turns out great for Adam, I will love the strategy, new label, Shoshanna, and their janitor to pieces; if not, hell hath no fury like pissed off Aleks, they better watch out, I might post a disgruntled comment or two:) Just kidding, everything will be all right |
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Post by adamrocks on Sept 13, 2014 13:19:55 GMT -5
LOL!  Katerina @jadelle1 44m ???? RT @kardamdoll : @adamlambert My Collection  |
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Post by adamrocks on Sept 13, 2014 14:04:10 GMT -5
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Post by Deleted on Sept 13, 2014 14:06:38 GMT -5
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Post by Deleted on Sept 13, 2014 14:09:35 GMT -5
PS I wrote my post at the same time Aleks posted, so not a response to that post! (admit to being in the impatient camp, just was commenting on timing) Dec is bad for a single, late Oct to mid November is not. Remember WWFM came out that time! It peaked in April! January is a bad time for albums. March is OK! Also, BTIKM was pushed to HAC which made its release time even stoopider! I expect a balls to the wall push to Pop for the new single! |
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Post by adamrocks on Sept 13, 2014 14:14:29 GMT -5
Does anyone know if this is a safe and good converter site? Lilybop lilybop2010 53m You can download 1080p You Tube videos easily online using www.clipconverter.cc/
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Post by adamrocks on Sept 13, 2014 14:32:46 GMT -5
For you Q3 because I know you are going to this. Wonder if Adam will go see this. I hope he can make the time to see it.
MCA Chicago @mcachicago Sep 10
An immersive multimedia experience, #DavidBowieIs explores the extraordinary career of the pioneering performer.
MCA Chicago is the only US venue for "David Bowie Is," opens Sep 23.
www2.mcachicago.org
Album cover shoot for Aladdin Sane, 1973
Design: Brian Duffy and Celia Philo; make up: Pierre La Roche
Photo: Brian Duffy
Photo: Duffy © Duffy Archive & The David Bowie Archive
David Bowie Is
coming in 9 days, 19 hours, 30 minutes, 44 seconds
Exhibition InfoPlan Your VisitBowie TumblrBowie GalaProgramsGroupsRentals
Bowie Aladdin Sane
September 23, 2014–January 4, 2015
David Bowie Is presents the first retrospective of the extraordinary career of David Bowie—one of the most pioneering and influential performers of our time. More than 400 objects, most from the David Bowie Archive—including handwritten lyrics, original costumes, photography, set designs, album artwork, and rare performance material from the past five decades—are brought together for the first time.
Bowie’s work has both influenced and been influenced by wider movements in art, design, theater, and contemporary culture, and the exhibition subsequently focuses on his creative processes, shifting style, and collaborative work with diverse designers in the fields of fashion, sound, graphics, theater, and film. Multimedia installations incorporating advanced sound technology produced by Sennheiser, original animations, continuous audio accompaniment, and video installations immerse visitors in the sights and sounds of Bowie’s artistic life. David Bowie Is was organized by the Victoria and Albert Museum, London, and has embarked on an international tour with the Museum of Contemporary Art Chicago as the only US venue.
Organized chronologically, David Bowie Is traces the artist’s evolution from his years as a teenager in the 1950s to the early 2000s when he retired from touring. Before the surprise release of the 2013 album The Next Day, Bowie had not released an album since Reality in 2003. On display are more than sixty stage costumes including the Ziggy Stardust bodysuits (1972), designed by Freddie Burretti; Kansai Yamamoto’s flamboyant creations for the Aladdin Sane tour (1973); and the Union Jack coat designed by Bowie and Alexander McQueen for the Earthling album cover (1997). Bowie’s many personae are amply documented through photography, graphic designs, models of concert sets, visual excerpts from films, and live performances, including his starring role in Nicolas Roeg’s The Man Who Fell to Earth (1976) and his appearance on Saturday Night Live (1979), as well as music videos for songs such as “Boys Keep Swinging” (1979) and “Let’s Dance” (1983). Alongside such prominent examples are more personal items such as never-before-seen storyboards, handwritten set lists and lyrics, and some of Bowie’s own sketches, musical scores, and diary entries, which help reveal the evolution of his creative ideas. His chameleonic character transformations throughout the years are central to his contribution to contemporary culture and highly relevant to contemporary artists such as Cindy Sherman, Wu Tsang, Janelle Monae, and Lady Gaga.
The exhibition is accompanied by a richly illustrated catalogue edited by Victoria and Albert Museum curators Victoria Broackes and Geoffrey Marsh, which includes contributions from leading experts in musicology and cultural history and benefits from its reliance on and full access to the David Bowie Archive.
This exhibition is overseen in Chicago by Michael Darling, James W. Alsdorf Chief Curator at the Museum of Contemporary Art Chicago.
Ticket Information
Tickets on sale now!
Individual tickets are $25 for adults and teens, $10 children (age 7–12), and free for children 6 and under.
Price includes museum admission.
Admission to the museum without David Bowie Is access is $7 (free for children 6 and under).
Get one or more free tickets to Bowie when you become a member or renew an existing membership. Learn more about Bowie Benefits here.
For all ticket questions call the Bowie Hotline at 312.397.4066.
You can also stay updated by providing your email address below.
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Post by seoulmate on Sept 13, 2014 14:47:46 GMT -5
Remember how I know that Adam is not a kind of artist to pop albums every other Monday, but it still doesn’t stop me from getting cranky and impatient while waiting for another one? Well, that’s because I want it too much Also, I knew that his working regime is rigorous, but I just wanted to make sure. So, I tracked his major activities since the Trespassing release on May 15th, 2012, up until the very beginning of QAL in 2014, after which his regime turned from rigorous to downright insane, as we all know. It’s a little over two years' time period. During it, he had only six (6) breaks, to catch his breath and rest a bit, I assume; during neither of those breaks was he completely invisible or silent... Enjoy the ride! YOUR LIST IS FABULOUS!!! |
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Post by adamrocks on Sept 13, 2014 14:48:26 GMT -5
Well DAY-UM.. .Aleks....nice pic!  I'll just stare at this for a while!!
Aleks @aleks_kv 17m |
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