jerelyn
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Post by jerelyn on Oct 9, 2014 16:42:23 GMT -5
Jamie ★ @aquafenix7Your words immortalized, @adamlambert, plus a bit of decoration. Thanks for inspiring me as always!! :D pic.twitter.com/ENWmHT48MH 
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jerelyn
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avi by http://stuypoty.tumblr.com/post/89538291031/heres-one-for-the-queen-and-adam-lambert-tour
Posts: 697
Location:
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Post by jerelyn on Oct 9, 2014 16:44:37 GMT -5
OLD pic but don't know when or where this pic was taken... FIIIIRRRRSSTTT!! chunkeymonkey81
Oh god that STACHE holy hell porn stache lol noooo (old pic) pic.twitter.com/aJihwURwdH  |
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Post by katycake on Oct 9, 2014 17:02:15 GMT -5
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SophieB
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Post by SophieB on Oct 9, 2014 17:15:53 GMT -5
That's my favorite line too...." Love sucks?...I love it when it sucks" ! Plus, mys*&@^#r....WE WERE THERE !!!!!  Yes we were! The Forum was my favorite show! He was so happy to be performing at home and the audience gave so much love! Will always remember how thrilled Brian was to be there too & his face as he left the stage at the end.  And I was there too! Just loved every second. Only trouble is - I can't remember this bit. In fact, when I look back at videos of the shows I've been at, I always end up thinking, ' I didn't see this' or ' I didn't hear that'... ...even though I am absolutely glued to it all.  Does anyone else have that problem? Please don't say it's just me.. |
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Post by cassie on Oct 9, 2014 17:28:24 GMT -5
Waiting for Cassie to check in and verify Adam's range...  Well, okay then. The vocal range debates again. What notes does one give a singer credit for? If you are talking to SINGERS, to those who study voice classically, a singer's range covers the notes they can accurately and reliably sing in performance. The note must be able to be sustained and sung with control. The singer should be able to articulate a syllable beyond "ah" on that note: be able to sing actual words. The note should be produced with full voice or head voice (modal registers) and not with falsetto, whistle register or vocal fry. The sound should be able to carry and be clearly heard over the instrumental accompaniment. This is a singer's "usable range." The chart above is NOT created using such criteria. It gives credit for both falsetto and whistle techniques as well as vocal fry (very low gravelly, burp sounds), extending the range significantly. It credits any sound produced while singing or talking. To me, that is deceptive. I have no idea how high or low Adam can produce some kind of barely audible sound. Certainly, since he rarely performs with falsetto, we cannot predict how that extends his upper limits, but it probably does significantly. However, his range in the MODAL register of chest, mixed and head voice THAT WE HAVE HEARD RECORDED, is A2 in "Runnin" to Bb5 in a number of songs. I think there was one B5 also noted, but I cannot remember which song that was in. In the harmonies of "Runnin" there is also an E2, but no one can confidently say that is Adam singing naturally, and not altered in the studio, so I don't count that. A2-Bb5 is a remarkable range. It becomes more remarkable when you hear the power, purity, clarity and control with which he can sing those notes. Adam's tone, flexibility, control and consistency are, for me, much more impressive than just the range of actual notes. |
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Post by LindaG23 on Oct 9, 2014 17:30:09 GMT -5
SophieB, definitely not just you. Everyone, I am sure, has their story of forgetfulness to tell. Sensory overload when you are there is the probable cause.
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Post by cassie on Oct 9, 2014 17:30:30 GMT -5
Yes we were! The Forum was my favorite show! He was so happy to be performing at home and the audience gave so much love! Will always remember how thrilled Brian was to be there too & his face as he left the stage at the end. And I was there too! Just loved every second. Only trouble is - I can't remember this bit. In fact, when I look back at videos of the shows I've been at, I always end up thinking, ' I didn't see this' or ' I didn't hear that'... ...even though I am absolutely glued to it all. Does anyone else have that problem? Please don't say it's just me.. Me, too! My overwhelming thought from the two concerts I have seen is "Wait! What? Go back. I missed it. I wasn't paying attention. Can I have a replay?" Even tho' I was focused on Adam 150%. The experience just totally overwhelmed me. |
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Post by theradia on Oct 9, 2014 17:36:50 GMT -5
Well, okay then. The vocal range debates again. What notes does one give a singer credit for? If you are talking to SINGERS, to those who study voice classically, a singer's range covers the notes they can accurately and reliably sing in performance. The note must be able to be sustained and sung with control. The singer should be able to articulate a syllable beyond "ah" on that note: be able to sing actual words. The note should be produced with full voice or head voice (modal registers) and not with falsetto, whistle register or vocal fry. The sound should be able to carry and be clearly heard over the instrumental accompaniment. This is a singer's "usable range." The chart above is NOT created using such criteria. It gives credit for both falsetto and whistle techniques as well as vocal fry (very low gravelly, burp sounds), extending the range significantly. It credits any sound produced while singing or talking. To me, that is deceptive. I have no idea how high or low Adam can produce some kind of barely audible sound. Certainly, since he rarely performs with falsetto, we cannot predict how that extends his upper limits, but it probably does significantly. However, his range in the MODAL register of chest, mixed and head voice THAT WE HAVE HEARD RECORDED, is A2 in "Runnin" to Bb5 in a number of songs. I think there was one B5 also noted, but I cannot remember which song that was in. In the harmonies of "Runnin" there is also an E2, but no one can confidently say that is Adam singing naturally, and not altered in the studio, so I don't count that. A2-Bb5 is a remarkable range. It becomes more remarkable when you hear the power, purity, clarity and control with which he can sing those notes. Adam's tone, flexibility, control and consistency are, for me, much more impressive than just the range of actual notes. I believe that note only surfaced when we got a stripped version of "Aftermath" where some of the overpowering instruments were removed. In the then audible vocals he hit that B5. But that would also be in the studio,and a total one-off. |
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Post by bamafan on Oct 9, 2014 17:43:14 GMT -5
SophieB......it's just YOU! lol j/k. Yes, often you're just overwhelmed and can't retain it all. It's sensory overload. Thank goodness for videos to relive it over and over.
The Forum was my favorite concert I attended. Like mys*&@^#r said he seemed happy to be playing at home. Plus, this was the only show where I was front and center. The closer you physically are to him, the more memorable the experience IMO even if every little thing audio wise or production wise isn't perfect. The audio is important, but equally important to me are the Adam visuals and him having fun. Being at the end of the thrust in Chicago was also a huge thrill because we didn't know what was coming when they placed "the couch" right in front of us.
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eri9
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Post by eri9 on Oct 9, 2014 17:47:12 GMT -5
Waiting for Cassie to check in and verify Adam's range... Well, okay then. The vocal range debates again. What notes does one give a singer credit for? If you are talking to SINGERS, to those who study voice classically, a singer's range covers the notes they can accurately and reliably sing in performance. The note must be able to be sustained and sung with control. The singer should be able to articulate a syllable beyond "ah" on that note: be able to sing actual words. The note should be produced with full voice or head voice (modal registers) and not with falsetto, whistle register or vocal fry. The sound should be able to carry and be clearly heard over the instrumental accompaniment. This is a singer's "usable range." The chart above is NOT created using such criteria. It gives credit for both falsetto and whistle techniques as well as vocal fry (very low gravelly, burp sounds), extending the range significantly. It credits any sound produced while singing or talking. To me, that is deceptive. I have no idea how high or low Adam can produce some kind of barely audible sound. Certainly, since he rarely performs with falsetto, we cannot predict how that extends his upper limits, but it probably does significantly. However, his range in the MODAL register of chest, mixed and head voice THAT WE HAVE HEARD RECORDED, is A2 in "Runnin" to Bb5 in a number of songs. I think there was one B5 also noted, but I cannot remember which song that was in. In the harmonies of "Runnin" there is also an E2, but no one can confidently say that is Adam singing naturally, and not altered in the studio, so I don't count that. A2-Bb5 is a remarkable range. It becomes more remarkable when you hear the power, purity, clarity and control with which he can sing those notes. Adam's tone, flexibility, control and consistency are, for me, much more impressive than just the range of actual notes. Thanks Cassie. Again I agree with you 100% As for that B5 note, I think he hit that at the end of Aftermath - you could hear it in the "acapella" version where someone stripped away the instrumental backing leaving just Adam's voice. I can't find a recording of it online to post here, but maybe someone else can? However, tbh I think his voice in that instance did not sound that pleasant to my ears. Which pains me to say cos he has my fave voice of anyone obviously! |
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