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Post by theosgma on Jul 27, 2012 14:20:27 GMT -5
Hmm. Well I just looked at it and it is missing. It was there earlier :( Ok, I'm not home now....but when I get home, I will see what I can do... Thanks!!
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talon
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Post by talon on Jul 27, 2012 15:10:37 GMT -5
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Post by theosgma on Jul 27, 2012 15:35:42 GMT -5
Thank you! OK. I am back in class. Not sure exactly how to say this but in this song while I agree there was a sweetness to those high notes, I felt there was also a little thinness. It is not going to be a practice of mine to say "Oh Freddie was great there but Adam would be better here" but there is a smooth continuity for Adam and a fullness even in head voice and falsetto. I kind of missed that here. My favorite part of this song were the instrumentals. Again, I need to listen a lot more and I will. I want to go back over all the songs we have reviewed so far.
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talon
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Post by talon on Jul 27, 2012 17:26:21 GMT -5
Interesting! By all means compare and contrast all you will. I don't mind when people point out something they don't like. Believe me there are times I will point things out myself Wait til I hit on some of the band's clunkers in the 80s...and when they used a...drum machine...for example - a rant for another time. It doesn't diminish anything for me. Of course on the other hand I may choose to disagree at times too... But we can be mature when that happens In this particular case though I understand what you mean and I agree...Freddie was still a bit young and his untrained voice was still developing so it wasn't quite as full as it would be. It would be much more powerful during his peak. In fact...it got so powerful that according to a source I have, ever since Freddie died and Queen sang with anyone else (including Adam!), they always start the mix at what they generally used with Freddie...and always have to adjust the instrumentation down or the vocal mic up...which supposedly why Adam seemed a bit buried in the mix during the first few gigs.
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gabby
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Post by gabby on Jul 27, 2012 22:12:08 GMT -5
The Night Comes Down1. Not going to comment on vocals because I have no idea what a "flat" or "thin" voice means. Do I have the desire to learn which is which? Not really because it will still be over my head :D 2. What's important for me is how are the lyrics being delivered and the passion behind the delivery. That's why I can't listen to singers who mumbles or those who I can't understand what they are singing about :D What I admire most about FM and AL ... they can both deliver the lyrics clearly and passionately or fun if need be and I can hear it from their voice/delivery :D 3. Another thing that's important for me is does the music overall transport me someplace if I want to escape, just want to dream, or just enjoy it (or not) /make me happy or sad? 4. So having said all that, this particular song comments: I prefer the first recording you posted, Talon. Could be just be a better audio recording but the instrumentation seems to be more dominant compared to the 2nd one. I agree that FM's voice sounded really young so I assumed this was recorded when he was in late 20's or early 30's? Lyrically, it seems that he is trying to recapture/reminisce the younger/earlier days when he can be free and no inhibitions and now is living with difficulties/issues as an adult (don't know if I'm making sense here :D ) . I understand what he is trying to convey and the harmonies are outstanding. Overall would this be something I would like to have in my iPod? Not really because the song overall does not seem to grab me but I agree with you that FM's voice sounds angelic . BTW, is the Lucy reference here is from Lucy in The Sky with Diamonds? 5. I may really sound too simplistic for you (music wise)
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talon
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Post by talon on Jul 28, 2012 2:40:43 GMT -5
The Night Comes Down1. Not going to comment on vocals because I have no idea what a "flat" or "thin" voice means. Do I have the desire to learn which is which? Not really because it will still be over my head :D :D Understandable. I won't go into it then Absolutely! I agree 110%. Mid 20s - 24-26 around there depending on when this was actually recorded...It does make sense to me and I think of Brian (songwriter here) as a bit of an old soul so with that in mind it makes PERFECT sense Hey I agree, like I said I rarely put this one on any of my CD mixes (I'm dating myself here) or on my ipod mixes and rarely listen to it unless I'm listening to the whole album...BUT when I get to it I do smile and enjoy it! Indeed it is. The Beatles were a big influence for certain. When John Lennon was shot, the band did an impromptu 'Imagine'. Years later QPR did it at Hyde Park with Brian, Roger, and Paul doing a verse. Very nice indeed To me that's just it. Music is music. Some may be more into technical aspects or heavily into the hows and whats but your "simplistic" enjoyment and comments mean just as much in the grand scheme of things!
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talon
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Post by talon on Jul 28, 2012 4:35:29 GMT -5
Today's song... Modern Times Rock 'N' Rollwritten by Roger Taylor Musicians: Roger Taylor - vocals, drums Freddie Mercury - backing vocals, piano Brian May - guitars John Deacon - bass guitar John Anthony - backing vocals - The first non-Freddie or Brian song on a Queen album AND the first lead vocal by someone other than Freddie. - Roger's writing, especially at the beginning was never very complex - he was the most likely to do some straight forward rock and roll for rock and roll's sake. That's not a bad thing at all as it makes for a nice break in the complexity. - In fact this song actually reminds me of punk - years before punk became vogue! - This was played live, sporadically as closer to the set with Freddie on lead vocals through 1975. ALTERNATIVE RELEASED VERSIONS: BBC SESSION #3- ESSENTIAL listening. - Released on Queen At The Beeb in 1989 in the UK and Queen At The BBC in 1995 in the US. - A somewhat faster pace if possible, frenetic backing track with some additional vocals and guitar. UNRELEASED VERSIONS: BBC SESSION #4- ESSENTIAL listening. - My personal favorite version that is unreleased at this point. It was leaked though obviously A much slower more deliberate pace. There is some great guitar work here and additional Freddie backing vocals at the end. UNRELEASED AND UNHEARD: -Rumors of a "Rough Demo" have been bandied about. Not much is known. LIVE VERSION: LIVE AT THE RAINBOW - MARCH 1974LIVE AT THE RAINBOW - NOV 1974- Not too many great recordings exist, but it's worth a listen as Freddie is on lead vocals when it was done live. Awesome guitar work from Brian as usual. PERSONAL NOTES: - Again not one I listen to all the time, but a highly energetic number. Great for driving! Of course it's a very short drive Roger develops as he ages that's for certain but there is a definite youthful innocence here that can't be denied. Rebellious youth at it's best! Next up, Queen goes bluesy and Brian begins to work out his eventual solo...in Son & Daughter
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Post by lambo on Jul 28, 2012 7:15:34 GMT -5
Brilliant work talon, looking forward to what you have to say about Ogre Battle and pretty much everything on Innuendo, and WWTLF. The latter has always been one of my favourite vocals of all time, better than TSMGO even! What do you think of Tom Chaplin's interpretations of Queen songs btw? I used to hope he'd be the next guy to front Queen
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talon
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Post by talon on Jul 28, 2012 8:12:59 GMT -5
Thank you ng! Ogre Battle is upcoming soon! Innuendo :wub: It goes between that, Queen II, and A Night At The Opera for my all time fav Queen album! As for Tom Chaplin...I only saw him do one song with Queen at The Prince's Trust in 2010, but WOW what a song. I would love to see Tom do a whole show as well. And beyond that I think that after George Michael's performance at the Freddie Mercury Tribute Concert, Tom's performance was the only one that's been unanimously praised by the hardcore fanbase. I think it helped that they did a more "obscure" greatest hit (yes an oxymoron I know ) in "It's A Hard Life" (one of my favs) He did perform last September with Queen at the Freddie For A Day tribute and did "It's A Hard Life" again and "The Show Must Go On" but nothing leaked from that show unfortunately. His version of Under Pressure with Keane was also well done but not quite as jaw dropping
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Post by lambo on Jul 28, 2012 10:04:36 GMT -5
Innuendo is crazy good ;D Glad to hear that Tom hooked up with them again. Wonder what his TSMGO sounded like His It's A Hard was brilliant though he didn't stop moving the entire time and I got dizzy! Hope they sing together again in future He's also the only person other than Freddie I've heard nail the WHYYYYY in Under Pressure like the studio version.
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